50 games you should know: Tarrasch vs Lasker, 1908

by Johannes Fischer
2/1/2018 – Good chess players are often bad losers. After defeats they throw tantrums, berate themselves or their opponents and throw things around. But bad losers often train harder than others and learn from their defeats, provided they are self-critical enough. Some bad losers shy away from a critical look at their play. One of them was Siegbert Tarrasch. | Picture: Cover of the book "Die Schachwettkämpfe Lasker-Tarrasch um die Weltmeisterschaft 1908 und 1916", Edition Olms, Zürich 1990.

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Tarrasch was born on March 5, 1862, in Breslau which at that time was part of Germany, and he died February 17, 1934, in Munich. For a long time he was one of the best players of the world. According to statistician Jeff Sonas in 1895 Tarrasch had a historical Elo-rating of 2818 and this makes him the best player of all times who was never World Champion.

Bobby Fischer also held Tarrasch in high esteem. In 1964 he published his famous list with the ten best players of all times in the short-lived American chess magazine Chessworld. Number one on this list is Paul Morphy, and while Fischer was not impressed by Lasker's play, Tarrasch made it to the list. Fischer writes:

Steinitz had many rules but considered himself above them, whereas Tarrasch always followed his own rules, but so brilliantly that he is among the greatest players. Tarrasch's play was razor-sharp, and in spite of his devotion to this supposedly scientific method of play, his game was often witty and bright. He was a great opening theorist, vastly superior in this respect to Emanuel Lasker, for example, who was a coffeehouse player: Lasker knew nothing about openings and didn't understand positional chess… (Chessworld, 1,1 (January-February 1964, p. 56-61, quoted in: Andrew Soltis, Chess Lists, McFarland 2002, p. 37)

Siegbert Tarrasch

Throughout his life Tarrasch was an amateur. He worked as a medical practitioner, was married and had five children, but he still was not only a successful player but also a prolific, entertaining and popular writer who did a lot to popularise chess. He had a tendency to simplify and to be categoric but coined many well-known sayings: "Knight on the rim is dim", "The Rook's place is behind the passed pawn; behind the enemy pawn in order to hold it up, behind one's own in order to support its advance", to name just two. He is also famous for his quote "Chess, like love, like music, has the power to make men happy."

But despite all his achievements Tarrasch's reputation has suffered over the years. This is due to his haughtiness, his arrogance, and his way to handle defeats. These traits of Tarrasch are particularly marked in his rivalry with Emanuel Lasker.

Dr. Emanuel Lasker

Lasker, who was born on December 24, 1868, and the six years older Tarrasch, had been rivals for most their lives. They played their first games against each other when Lasker still had little experience and Tarrasch was already one of the world's best players. André Schulz writes:

1887 Tarrasch could still even give the latter a knight odds in two games in the Berlin 'tea halls' and yet win one game and draw the other. Two further games without odds then ended, however, in a win for each side. (André Schulz, The Big Book of World Chess Championships: 46 Title Fights - From Steinitz to Carlsen, New in Chess 2016)

But Lasker quickly gained in strength and in 1892 he challenged Tarrasch to an official match. Apparently Tarrasch had no faith in the dictum that you should beat young talents while still able to do so, and declined Lasker's challenge with an arrogant letter in which he advised Lasker to first win a great international tournament before challenging him. Unfazed by this rebuke, Lasker challenged the reigning World Champion Steinitz to a match for the title a short while later. Steinitz accepted, the match was played, and in 1894 Lasker was the new World Champion.


The name Emanuel Lasker will always be linked with his incredible 27 years reign on the throne of world chess. In 1894, at the age of 25, he had already won the world title from Wilhelm Steinitz and his record number of years on the throne did not end till 1921 when Lasker had to accept the superiority of Jose Raul Capablanca. But not only had the only German world champion so far seen off all challengers for many years, he had also won the greatest tournaments of his age, sometimes with an enormous lead. The fascinating question is, how did he manage that?


In the following years Lasker and Tarrasch tried to avoid each other at tournaments. If Lasker wanted to play in a tournament, Tarrasch usually did not play, if Tarrasch took part in a tournament Lasker usually abstained from playing there.

But there were always talks about a match between the two best German players of that time. In 1904 — after long and hard negotiations — Tarrasch and Lasker finally agreed to play a match. But then Tarrasch withdrew in the very last minute, claiming an "accident while skating on ice". An excuse nobody really believed. André Schulz writes: "His contemporaries already supposed that Tarrasch had been unable to bring together the unusually high stake of 8000 marks in time and had thought up the story of the accident to achieve a postponement without loss of face." (The Big Book of World Chess Championships). But Lasker did not agree to a postponement, the negotiations came to a halt, and the match did not take place.

One year later Tarrasch was confident again. In 1905 he had won a match against the US-American Frank Marshall with 8-1 and eight draws, and after this smooth victory he felt ready for a match against Lasker. But apparently Tarrasch forgot or wanted to forget who was World Champion and who was challenger:

Acceptable conditions provided I am ready to play a match against Lasker, but I will not challenge him; this is up to the one who has the lesser renown and the fewer successes. But my successes for about the last twenty years have been at least equal to his; when I challenged him two years ago this was a faux pas of me. (Siegbert Tarrasch, Der Schachwettkampf Marshall – Tarrasch im Herbste 1905, p. 62, quoted in André Schulz, The Big Book of World Chess Championships)

But in 1908 — and after more negotiations — it was finally time: Lasker and Tarrasch agreed to play a World Championship match in Düsseldorf and Munich. In contrast to Tarrasch in 1905 the organisers had a clear understanding of who was challenger and who was champion, and it shows in the fees offered to the players:

Lasker demanded for the WCh match first of all an honorarium of 15,000 [German] marks, but then contented himself with 7,500 marks (equivalent to around 35,000 to 40,000 euros today). Tarrasch did not insist on an honorarium so as to enable the match to actually take place. Moreover a prize fund of 6,500 marks was made available by the German Chess Federation, of which 4,000 marks would go to the winner, 2,500 to the loser. (André Schulz, The Big Book of World Chess Championships)

Reputation or previous successes aside — the match was one-sided, and after 16 games Lasker had won 8-3 (five games ended in a draw). But despite this clear defeat Tarrasch was not ready to acknowledge that Lasker was the stronger player. In his book about the match he came to the following conclusion:

If one does not just look at the result but plays through the games one will have to admit that on many occasions I have played much better, that my strength in the second half of the match was much greater than in the beginning, and that it was not the greater strength of the opponent which defeated me, but that I, particularly in the beginning, much too often missed the win and practically threw the games to my opponent. I am the first to wholeheartedly acknowledge the superior strength of an opponent. But this has to be strength which overcomes the opponent! But I noticed such a strength in only very few games, namely in the fifth and the eleventh game. In fact, in a lot of the other games a second-rate player could have led the game to a successful end in my stead after I had managed to create a winning position. (Siegbert Tarrasch, Der Schachwettkampf Lasker-Tarrasch um die Weltmeisterschaft im August-September 1908, Leipzig 1908, S. 111, quoted in Die Schachwettkämpfe Lasker-Tarrasch um die Weltmeisterschaft 1908 und 1916, Edition Olms, Zürich 1990.)

As reasons for his bad play in the first half of the match Tarrasch cited "lack of practice" and the "maritime climate" in Düsseldorf. While "lack of practice" might indeed have contributed to Tarrasch's defeat, Düsseldorf is simply not affected by "maritime climate" — if you want to go from Düsseldorf to the sea you must cross the whole of the Netherlands.

But the numbers do not lie: Lasker simply played better than Tarrasch in the match. And Tarrasch did himself no favour with his ridiculous excuses for his defeat: in the long run they gave him the reputation of an almost laughably bad loser, and this overshadowed his remarkable achievements.

The second game of the match is particularly revealing here. Lasker commits a number of inaccuracies in the opening which gives Tarrasch a tactical opportunity to reach an almost winning position but then Tarrasch finds no way to increase or exploit his advantage and is outplayed by Lasker.

 
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1.e4 e5 2.Nf3 Nc6 3.Bb5 Nf6 4.0-0 d6 5.d4 Bd7 6.Nc3 Be7 7.Re1 exd4 8.Nxd4 0-0 9.Nxc6 Bxc6 Lasker often played the Ruy Lopez Steinitz Variation but in this game he nevertheless commits a number of inaccuracies in in the opening. Exchanging the white-squared bishops weakens the square f5 and invites the white knight to settle there. Therefore, more careful was 9...bxc6. 10.Bxc6 bxc6 11.Ne2! The German grandmaster Raj Tischbierek who annotated this game in a large volume about Lasker was really enthusiastic about this move. He writes: "Maybe not the best continuation (11.Bf4!), but still my favourite move by Tarrasch in the entire match! He, too, must have been enormously attracted by the prospect of a knight on f5, supported by a fianchettoed queen's bishop, otherwise he would certainly not have violated his opening principles by moving the same piece twice though the Bc1 is not developed yet." (Raj Tischbierek, Das Weltmeisterschaftsmatch Lasker-Tarrasch 1908, in: Emanuel Lasker: Denker, Weltenbürger, Schachweltmeister, edited by Richard Forster, Stefan Hansen and Michael Negele, Exzelsior 2009, p. 619) Qd7 12.Ng3 Rfe8?! Black should have stopped the knight from going to f5. Therefore, it was better to play 12...g6 13.b3 Rad8 14.Bb2 Ng4? A remarkable, often commented, move. In his annotations Tischbierek quotes Tarrasch, Lasker and Robert Hübner: "Tarrasch: 'An oversight which often occur in cramped position. Black wants to follow-up with ...Bf6 (...).' But Lasker gives the text-move an exclamation mark ('Brought to bay I decided to allow a fierce attack on my castled king and to search in other aspects of the position compensation'), though he later admitted that he might objectively have been lost after this move. ... Hübner analyzes 14...c5 and 14...Qe6 as alternatives to the text-move and concludes that Black is 'not without prospects to save himself'. When concluding his observations about Lasker's mistake he writes: 'I suppose that Tarrasch was right. After 14...Ng4 Lasker only calculated the line 15.Nf5 Bf6 16.Qxg4 Bxb2, which is not dangerous for him because his queen on d7 is defended. When he was surprised by 15.Bxg7 he tried to make the best of the situation with the fighting skills and cold-bloodedness he possessed, and thanks to the generous but unexpected help of the opponent, he achieved amazing things.'" (Tischbierek, p. 619) 15.Bxg7! Nxf2 16.Kxf2?! After this move White wins a pawn and remains with a clear advantage. But he also gives Black time to recover. Better was the attacking move 16.Qd4! e.g. Ng4 17.Nf5 Qe6 18.Qc3 Qg6 19.h3 Bf6 20.Bxf6 Nxf6 21.Qxc6 with a winning position for White. Lasker comments Tarrasch's decision to play the "safe" continuation 16.Kxf2 in lyrical fashion: "If he, with defiant bravery, as was the cast of Pillsbury, as was the cast of Steinitz, had to dared to waive the small material advantage to embark on the sea of the generous attacking combination - he probably would have gained victory." 16...Kxg7 17.Nf5+ Kh8 18.Qd4+ f6 19.Qxa7 Bf8 20.Qd4 Re5 The tactical skirmish which began after Black's 14th move is over and it is time to take stock. As it turns out, White is clearly better: he is a pawn up, his knight on f5 is very strong, he has a passed pawn on the a-file and Black's king is exposed. Black's counterchances are based on the central break ...d5, the slightly exposed white king, and possible play on the e-file. However, with precise play by White all this should not suffice. But Tarrasch loses control. He planlessly moves his knight around and finds no convincing continuation to convert his advantage. 20 moves later the white is on e1, the white king is stranded on d1, and Black's bishop managed to find a way into White's position. It is amazing how well Lasker treats this difficult position in which he is a pawn down and has only vague compensation. 21.Rad1 Rde8 22.Qc3 Qf7!? Black does not defend the pawn on c6 but strives for counterplay. 23.Ng3?! A step into the wrong direction. Possible and good was 23.g4 but White also had 23.Qxc6 Rc5 24.Qa6 Rxc2+ 25.Re2 Rxe2+ 26.Qxe2 with a clear advantage for White. Black has much less counterplay than in the game. 23...Bh6 24.Qf3 d5 25.exd5?! Invites the black bishop to jump to e3. Tarrasch should have acknowledged that his 23. move was a mistake and moved his knight back to f5, e.g. 25.Nf5 Bf8 26.exd5 cxd5 27.g4 Qe6 28.Rxe5 Qxe5 29.Ng3 and White is still clearly better. 25...Be3+ 26.Kf1 cxd5 27.Rd3?! Now it is White who has to struggle to survive. Here again it was necessary to retreat by moving forward. After 27.Nf5 d4 28.Nxe3 dxe3 29.Kg1 Qe6 the far-advanced pawn on e3 gives Black counterplay but White should still be slightly better. 27...Qe6 28.Re2 f5 29.Rd1 Two moves ago Tarrasch moved the rook to d3, now he moves it back to d1. A sign that he lost control of the game. He also was in severe time-trouble - the match was played with a time-limit of 1 hour for 15 minutes and on move 29 Tarrasch did not have much time left on the clock. f4 30.Nh1 Not so long ago this knight was proudly standing of f5, threatening Black's king. d4 31.Nf2 Qa6 32.Nd3 Rg5 33.Ra1 Qh6 34.Ke1 34.h3 fails because of Rg3 35.Qd5 f3 and Black is winning. 34...Qxh2 Black regained the pawn and still has a strong attack. 35.Kd1 Qg1+ 36.Ne1 Rge5 37.Qc6 R5e6?! Lasker also has difficulties to convert his advantage. Modern engines have no such problems. After 37...Kg8 38.a4 Bf2 39.Qxe8+ Rxe8 40.Rxe8+ Kf7 41.Re2 Bxe1 42.Rxe1 Qxg2 Black is clearly winning. 38.Qxc7 R8e7 39.Qd8+?! White misses the strongest defence. After 39.Qc8+ Kg7 40.a4 it is difficult to see a clear win for Black. But with the help of the engines Tischbierek found a win for Black: h5! e.g. 41.Qc4 Re5 42.Ra2 h4 43.c3 Rg5 44.a5 h3 45.a6 Ra7 46.gxh3 f3 and Black wins. 39...Kg7 40.a4 f3! 41.gxf3 Bg5 and White resigned. 0–1
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WhiteEloWBlackEloBResYearECOEventRnd
Tarrasch,S-Lasker,E-0–11908C66World Championship 08th2

A remarkable game. It shows how well Lasker played in difficult positions and how hard it is to win a won game. And the comments by Tarrasch show why it is not good to be a bad loser.


It’s a problem every player encounters when he stands better in a game: how to convert his plus into a full point? In this DVD the author answers this difficult question of chess strategy, considering both the psychological aspects of the realisation of an advantage and the technical methods.


50 games every chessplayer should know...

  1. McDonnell vs. Labourdonnais
  2. Anderssen vs. Kieseritzky, The Immortal Game
  3. Morphy vs Duke of Brunswick, Count Isouard
  4. Steinitz vs von Bardeleben
  5. Pillsbury vs Lasker
  6. Rotlewi vs Rubinstein

Johannes Fischer was born in 1963 in Hamburg and studied English and German literature in Frankfurt. He now lives as a writer and translator in Nürnberg. He is a FIDE-Master and regularly writes for KARL, a German chess magazine focusing on the links between culture and chess. On his own blog he regularly publishes notes on "Film, Literature and Chess".

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