Throwback Thursday: McShane makes a splash at the London Classic

by Carlos Alberto Colodro
3/25/2021 – The first edition of the London Chess Classic was played in 2009 as an 8-players single round-robin event, with half the field comprised of top English grandmasters and the other half including some of the strongest players in the world. Luke McShane left a strong impression in his five showings at the Olympia Conference Centre, winning the brilliancy prize in 2009 and getting shared second place in 2010.

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The world’s strongest amateur chess player

Currently ranked 61st in the world, Luke McShane has been frequently described as the strongest amateur chess player in the world. The 37-year-old from London entered Oxford University in 2003, where he read philosophy and mathematics at University College. A financial trader, he has managed to stay competitive at the highest echelons of the royal game despite having kept his daytime job.

In an article for The Guardian, Leonard Barden wrote in 2015:

The dearth of amateurs in present-day top chess is no accident. The physical demands of tough tournament schedules and the mental intensity of computer preparation for every game favour the young and those who can approach their games free of external distractions.

Luke McShaneMcShane, who left his job and increased his chess activity until he was forced to decline his invitation to the 2011 British Championship when he returned to full-time employment, participated in the first five editions of the London Chess Classic. 

In 2009, the inaugural edition was advertised as “the highest level chess tournament in London for 25 years”, and the tournament has run uninterrupted until 2019, presenting a mix of professional tournaments and a wide range of subsidiary chess activities. 

While most of the eyes were put on Magnus Carlsen in the first editions, McShane was a most welcome presence in the lineup. He only signed one draw in 2009, getting 5th place based on the Bilbao scoring system (3 points for a win, 1 point for a draw), which was in place at the time. True to the spirit of the scoring system, McShane played enterprising chess throughout, which naturally backfired against the likes of Vladimir Kramnik, Michael Adams and Ni Hua. Nonetheless, he received the hefty €10,000 brilliancy prize for his victory over Hikaru Nakamura in round 5.

McShane’s strongest performance came the next year, when the lineup was further strengthened by the presence of Viswanathan Anand. In 2010, the Englishman shared second place with Anand, two points behind Carlsen according to the Bilbao system. Had the normal scoring system been in place, McShane would have tied for first place with Carlsen and Anand. Moreover, he obtained the highest Tournament Performance Rating of the event — a whopping 2838 points thanks to his undefeated performance with wins over Carlsen and Nigel Short!


Final standings - London Chess Classic 2010

Nr
Sd
Name Rating Fed
Score
TPR   Born   Tiebreak
1
2
Carlsen, Magnus 2802 NOR
13
2816   1990  
2
1
Anand, Viswanathan 2804 IND
11
2815   1969 No tiebreak
3
7
McShane, Luke J 2645 ENG
11
2838   1984 No tiebreak
4
4
Nakamura, Hikaru 2741 USA
10
2772   1987 Win over Kramnik
5
3
Kramnik, Vladimir 2791 RUS
10
2765   1975 Loss to Nakamura
6
5
Adams, Michael 2723 ENG
8
2725   1971  
7
8
Howell, David W L 2611 ENG
4
2583   1990  
8
6
Short, Nigel D 2680 ENG
2
2422   1965  

Currently, McShane writes a delightful weekly chess column for The Spectator.

Brilliancy prize 2009

Official reporter John Saunders wrote after round 5:

Hikaru never fails to entertain and Luke is once again fully focused on chess, so this was a sure-fire winner as far as the crowd was concerned. Luke decided to stick with his Na6 variation of the King’s Indian Defence with which he lost to Magnus, and his bravery was rewarded, not just with his second win but with the round’s best game prize of 1,000 euros. Well done, Luke, but also credit to Hikaru for a battling performance.

Saunders annotated the game as well.

 
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1.d4 Nf6 2.c4 g6 3.Nc3 Bg7 4.e4 d6 5.Be2 0-0 6.Nf3 e5 7.0-0 Na6 8.Be3 Ng4 9.Bg5 Qe8 10.c5!? This imbalances the position and ensures that it will not be a stereotypical KID game. exd4 11.Nd5 Be6 11...Nxc5 12.Nxc7 Qxe4 13.Re1 Rb8 14.Bc4 Qf5 15.Be7 was played in Navara-McShane, Gothenburg 2005, and White eventually won. 12.Be7!? Another bold decision by Hikaru. He probably looked at 12.Bxa6 Bxd5 13.exd5 bxa6 14.cxd6 cxd6 15.Nxd4 Qd7 and decided it didn't offer him enough. Chess engines seem to like it but it is not clear that White has sufficient play. 12...Bxd5 13.Bxf8 Qxf8 14.exd5 dxc5 #Black has two pawns and a knight for the rook, so the material situation is fairly balanced. 15.Qb3 Rb8 16.Rfe1 Qd6 17.h3 White has to be wary of all those black pawns on the queenside. For example, 17.Bc4? b5! and if 18.Bxb5 c6! 19.dxc6 Nc7 20.a4 a6 and the bishop is lost 17.Qa4!? may be a canny move to restrain a queenside advance. 17...Nf6 18.Bxa6 After this, Black seems to be slightly in the ascendant. Perhaps something less committal, such as 18 a3, was called for. Qxa6 19.Rac1 Bf8 20.Ne5 Qb6 21.Qf3 Qd6 # 22.g4?! Too gung ho. 22.Nd3!? was more cautious, restraining Black's queenside pawns: b6 23.b4 Nxd5 24.bxc5 bxc5 25.Rxc5 Nf4 26.Rec1 looks playable. 22...Bh6! Grabbing some important dark squares. Black even has dreams of advancing a pawn to d2 one day. 23.Rc2 Re8 24.Rce2 Rf8 25.Nc4 Qxd5 26.Qxf6 Bg7!? Probably better than the immediate 26...Qxc4 27.Re8 when, for example, the pawn grab Qxa2? runs into 28.g5! Bg7 29.Rxf8+ Bxf8 30.Re8 and Black finds he has no defence to 31 Qe7 and mate. 27.Qh4 27.Qf4 may be better but Black still has Qxc4 28.b3 Qd5 29.Qxc7 d3 30.Re7 Bc3 with a probable win in sight. 27...Qxc4 28.Re8 Qd5 29.Rxf8+ Bxf8 30.Re8 Kg7 # 31.g5 It's beginning to look very difficult for White. He could try 31.Qd8 Qxd8 32.Rxd8 but that may be quite similar to the text in the long run. 31...Qd6 Black has now completed his king's defensive set-up and can turn his attention to march his queenside pawns down the board. 32.Kf1 b5 33.Ke1 White wants to use his king to block the advance of the pawns. c4 34.Qe4 c5 35.h4 c3 36.bxc3 dxc3 37.Qe5+ A difficult decision but probably best. Qxe5+ 38.Rxe5 a5 39.Kd1 a4 40.a3 b4 41.Kc2 #White appears to have stymied the pawn advance but Black has one more trick in his locker. h6! The idea behind this move is simply to give his king a square on h7 so that he can put the bishop on g7 and play b3+. 42.Rd5? 42.Re8 Bd6 43.Ra8 gives Black a lot more problems than the text. 42...hxg5 43.hxg5 Kh7 44.Rd7 # Bg7! The loss of the f7 pawn, and what is effectively a self-pin, matter far less than the opportunity to advance the b-pawn another square. 45.Rxf7 b3+ 46.Kb1 Kg8 47.Ra7 Bd4 48.Rxa4 Kf7 49.Ra6 If 49.Ra7+ Ke6 50.Rb7 c4 and the phalanx of black material is invulnerable, e.g. 51.Rc7 Kd5 52.Rd7+ Ke4 and the black king sets up a mating finish. 49...Be5 50.Ra4 The rook has to stop the big threat of c2+ and Bf4+ and so lets the black king in. Ke6 51.Rh4 Kd5 52.a4 c4 53.Rh1 c2+ 54.Kc1 c3 55.Rh4 Bd6 Mate follows in only two moves. 0–1
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WhiteEloWBlackEloBResYearECOEventRnd
Nakamura,H2715McShane,L26150–12009E94London Chess Classic5

Hikaru Nakamura, Luke McShane


Bologan: "If you study this DVD carefully and solve the interactive exercises you will also enrich your chess vocabulary, your King's Indian vocabulary, build up confidence in the King's Indian and your chess and win more games."


Final standings - London Chess Classic 2009

No.
Player
wins
draws
losses
points
Rating
Perf.
1
 Magnus Carlsen
3
4
0
13
2801
2839
2
 Vladimir Kramnik
3
3
1
12
2772
2787
3
 David Howell
1
6
0
9
2597
2760
4
 Michael Adams
1
6
0
9
2698
2746
5
 Luke McShane
2
1
4
7
2615
2606
6
 Ni Hua
1
3
3
6
2665
2599
7
 Hikaru Nakamura
0
6
1
6
2715
2644
8
 Nigel Short
0
5
2
5
2707
2593
Scoring System:
3 - Points per win
1 - Point per draw
0 - Points per loss

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Carlos Colodro is a Hispanic Philologist from Bolivia. He works as a freelance translator and writer since 2012. A lot of his work is done in chess-related texts, as the game is one of his biggest interests, along with literature and music.

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