Speelman's Agony #91
Many thanks first to everybody who's sent games into the drop box in recent weeks. Two requests though: Please include an email address so that I can contact you. And please use either PGN or a compressed ChessBase database CBV. (In ChessBase, click Menu→Database→Backup database, or hit Ctrl+Z.)
On this DVD, we will look at a simple-to-learn yet surprisingly effective system that White can play after 1 d4 d5. In all cases White will play 2 c4 - and if given the chance, 3 cxd5!
This week's pair of games are by Jan Van den Berg a Dutchman who writes:
I'm from Rotterdam in the Netherlands and only found your articles recently, but always find them very interesting. I have recently turned 40, with two young daughters who are much more interested in playing tennis than chess. My wife, Maria, became concerned that my competitive cycling was taking too much time away from the family so she suggested that I start playing chess again, which I had enjoyed many years ago. She obviously has no idea...
I haven’t played a tournament game for a long time, but the two games I’ve included were both played recently online. Both feature bishop sacrifices to attack the castled king. One of them is excellent, the other is...not.
I am quite proud of the 'ecstasy' game. The sacrifice, which was planned a few moves earlier, was correct and later some tactics all seemed to work for me. The 'agony' game was the opposite. Though the sacrifice was not great, I eventually reached a position where I thought my threats would give me good chances. But my position fell apart after some good tactical finds by my opponent, and with some accurate defence, my fate was sealed. The game finishes with an excellent combination by Black.
Jan annotated both games excellently, mainly using his own ideas but occasionally including some “engine-generated subtleties.” I've left his notes almost completely intact and added a few comments of my own which I've scrupulously marked as by JS.
These were a very enjoyable pair of games to work on and please do keep sending me your own either to the drop box or direct to my email.
We start with the Agony:
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1.d4 d5 2.c4 c6 3.Nc3 Nf6 4.cxd5 cxd5 5.f3!? e6 6.e4 Nc6 7.e5 Nd7 8.f4 Be7 9.Nf3 a6 10.Bd3 b5 11.0-0 Nb6 12.b3 0-0 13.Bxh7+? 13.Ne2!? g6 14.g4 13...Kxh7 14.Ng5+ Bxg5 15.fxg5 g6! 16.Qe1 Kg7 17.Rf4 17.Qh4 Rh8 18.Qf4 17...b4 18.Nd1 a5 19.Nf2 a4 20.Rb1 axb3 21.axb3 21...Ne7 21...Ra2 22.Ng4 Ba6 23.Qh4 Rh8 24.Nh6 Qc7 25.Be3 Bd3 26.Rc1 Nc4! 27.Rf2 27.bxc4 b3 28.cxd5 b2 27...Rxf2 28.Qxf2 Nxe3 29.Rxc6 Qb7 30.Qf6+ Kh7 31.Rb6 Qa7 21...Ba6! 22.Ng4 22.Qe3 Ne7 23.Ng4 Nf5 22...Bd3 23.Qh4 Rh8 24.Nh6 Qc7-+ 22.Ng4 Nd7 23.Nf6 Rh8 24.Qxb4 Nf5 24...Ra2 25.Be3 Nf5 26.Bf2 Ba6 25.g4 Ne7 25...Nh4!? 26.Qc3 26.Qe1 Nc6 26...Qb6 27.Qf2 Nxe5 28.dxe5 27.Qf2 27.Be3 Qb6 28.Qf2 Nxf6 29.Rxf6 Ra7 27...Nxf6 28.Rxf6 Qe8 28...Ra7 29.Ba3 26...Qb6 27.Qf3? 27.Bb2 Nxe5 28.Rbf1 Ba6 29.Qe3 Qb8 30.R1f2 Nxg4 31.Nxg4 Nf5 27...Nxe5! 27...Rf8 28.Be3 Ra7 29.Qf2 29.h4 Ba6 30.h5 gxh5 31.Nxh5+ 31.gxh5 31...Kg8 32.Nf6+ Kg7 33.Kf2 Bd3! 34.Rh1 Ra2+ 35.Kg3 Qb5 36.Rh6 Bg6 37.Qh1 Qd3 38.Rf3 Qb1 39.Rxg6+ Qxg6 40.Qh6+ Qxh6 41.gxh6+ Kh8 42.Nxd7 Rd8 43.Nc5 Rg8 44.Rxf7 Nf5+ 45.Rxf5 exf5 46.g5 Kh7 47.Nd7 Kg6 48.Nf6 Rd8 49.e6 29...Ba6 30.Rf3 Qd8 31.Rh3 Rh8 32.Rh6! Rxh6 33.gxh6+ Kh8 34.Nxd7 28.Qf2?! Nd3! 29.Nh5+ Kg8 30.Nf6+ Kf8 31.Nd7+ Bxd7 32.Rxf7+ Kg8 33.Qf6 Rh7! 34.Rxh7 Kxh7 35.Qxe7+ Kg8 36.Be3 Qd8! 36...Rf8!? 37.Qxd7 Ne5‼ 38.Qe7 Nxg4 39.Re1 Rf7 40.Qc5 Qxb3 41.Qc1 Qd3 42.Qc8+ Kg7 43.Qxe6 Qc3 44.Bc1 Qxd4+ 45.Be3 Qc3 46.Bb6 Qd2 47.Qe2 Qxg5 37.Qd6 37.Qxd8+ Rxd8 37...Qe8 38.Rf1 Ra2 39.Rf3 Bb5 40.Rf6 Ra1+ 41.Kg2 41...Ra6! 42.Qc7 Rc6 43.Qa5 Rc2+ 44.Kh3 Re2 45.Bg1 Qb8! 46.Rxg6+ Kh7 47.Rh6+ Kg7 48.Rf6 Nf4+! 49.Rxf4 Qxf4 50.Qxb5 Qf1+ 51.Kh4 51...Rxh2+ 51...Rxh2+ 52.Bxh2 Qxb5 0–1 - Start an analysis engine:
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Van den Berg,J | - | Vitali | - | 0–1 | | D10 | | |
Van den Berg,J | - | Giuliano | - | 1–0 | | C05 | | |
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Click or tap the second game in the list below the board to switch
This DVD gives you the key to start out with the French Defence. GM Yannick Pelletier is a specialist of this opening, and believes that the most efficient way to understand its ideas, plans, and typical structures is to study classical lines.
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