Efstratios Grivas: Endgame Magic

by ChessBase
1/30/2012 – The Greek grandmaster is a highly experienced chess trainer and chess author. He has participated in the ChessBase sponsored program of training sessions for talented young players. In addition he has recorded a number of training DVDs, the latest of which deals with the endgame. In addition to a description of this product we bring you a valuable lesson in an important ending.

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Efstratios Grivas: Chess Expertise Step by Step

Vol. 4: Endgame Magic

The last part of the game is where a well educated player can set the opponent the most problems. The weight of each move increases; each mistake can prove very costly, great accuracy is required.

In our times, with the abolition of adjournments and the increasingly faster time-controls, endgame knowledge has acquired greater significance than never before.

This DVD, called ‘Endgame Magic’, tries to cover important parts on this field and help to assimilate knowledge and understand in depth the proper handling of endgame in certain cases. We will examine how to benefit from the isolani in the endgame, how to try to win or defend when a rook and rook-pawn vs a bishop and rook-pawn (on the same side) endgame arise, the technique of the ‘square’ when the advantage of the exchange-up seems to be difficult to capitalise, how to win or defend with a plain queen vs a plain rook, how to benefit from our opponent’s shattered pawns, how to play some specific pawn endings and finally what are the problems of the exchange-up when facing the bishop-pair.

As Laurence Fishburn said in ‘Matrix’, ‘There is a difference between knowing the path and walking the path’.
Video running time: 4 hours


Video sampler from Efstratios Grivas: Chess Expertise Step by Step, Vol. 4: Endgame Magic


Training by GM & FST Efstratios Grivas

Earlier this year GM Grivas held a series of lectures for young German talents, in the offices of ChessBase in Hamburg. The aim of this series of lectures is to enable participants to teach young and gifted players in schools and chess clubs, and to educate trainers and chess teachers not only in their own countries but also on an international basis.


Successful chess trainer GM Efstratios Grivas

The material started to develop in early 2004 and was used Grivas' personal training sessions, where he developed a system based on serious sport (chess is treated like a sport) and chess material (focusing on middlegame and endgame). In 2005 this material was first printed in Greek, in a series of training books called ‘Skakistiki Proponisi’ (six volumes, 680 pages). It then appeared in an improved version in an English series ‘Chess College’ (Gambit 2006, three volumes, translator Sotiris Logothetis) and ‘Practical Endgame Play’ (Everyman 2008). It was also translated (in another improved version) into Turkish in 2009. Finally a further improved version appeared in the latest FIDE book for training the trainers called ‘Syllabus’ (FIDE 2010, proofer Andrew Martin).

"I use this material to make my students understand that health and other sport assets are valuable for a chess player's improvement, and not just never-end analysis in openings," says Stratos (as his friends call him). "For example in Turkey, where I am working on my program, all my trainees exercise some physical activity in accordance with their chess education." Since middle of 2006, when he started training youthful Turkish talents, three players have made their grandmaster norms and two more are close to this goal. And a number of IMs have also arisen in the process.

In the meantime Grivas, Adrian Mikhalchishin, Alexander Beliavsky and Georg Mohr are cooperating to produce a total training system, which will appear in 30 books (around 3,000 pages) based on the idea of full training in the middle and endgame. The work is being edited by the Turkish Chess Federation (which has the rights) and for the moment it is printed only in the Turkish language. The project started in early 2010 and it will be completed in 2012.

Trainers (and players) all over the world can use the series presented on the ChessBase news page freely. Any question can be addressed directly to the author: GrivasEfs (at) yahoo.co.uk.

Lecture plan

1 Physical and Psychological Factors
2 Getting to know Ourselves
3 Building a Repertoire
4 Chess Literature
5 Activity of Bishops and Knights
6 The Backward Pawn
7 The Art of Exchanges
8 The Golden Rules of the Endgame
9 How to Think in Endgames


Grivas in a lecture session for young German talents

5. Activity of Bishops and Knights

Terminology

This part of the lecture is devoted to cases of Good Bishop vs Bad Bishop and Good Knight vs Bad Knight. But rather than using the terms ‘good’ or ‘bad’, we will mostly opt for ‘active’ and ‘activity’, in order to best understand the comparison between these specific minor pieces.

The Bishop’s Concept Description

An active bishop can be a positional or a tactical asset, and therefore a permanent or temporary feature of a position. The active bishop occurs frequently in practice, and its owner can, for a number of moves, dictate the course of the game. He should usually utilize this time to get an attack or generally the initiative going, an important feature in modern chess practice. When there are various fixed pawns on the board, it is important to have a bishop which can attack the enemy pawns. This is known as the good or active bishop. The advantage of having such a bishop is not only that it can threaten the opponent's pawns, but also that it can move around more easily, its own pawns not being in its way. In contrast with all this, there is the bad bishop.

Simple Endings

In order to evaluate the presence of a good/bad bishop in any given position, it is important to consider how much material remains on the board. The superiority or the weakness of the good/bad bishop is highlighted as the endgame approaches. And this brings us to the important conclusion that, while the bad bishop can be quite useful at times, this asset diminishes with exchanges or the unsuitable placing of other pieces.

The following three important endings are typical examples:

Example 1

This type of endgame is always very pleasant for White. Black's bad bishop and his weak a5 and e5 pawns make his life miserable and impose on him laborious defensive duties. White is hardly risking to lose (except if he overdoes it!), but of course the main question is if he can win. In such endgames it is ‘hard’ to claim that White is better; it must be proved that he either wins or that the ending is a draw.

In my opinion White wins, following a four-step plan:

  1. Activate his king and place him on the c4 square, from where he will threaten to penetrate Black's camp through the weak light squares.
  2. Activate his bishop.
  3. Move his king to the kingside, trying to penetrate.
  4. Use his kingside pawns to break through on the kingside.

Let's examine all this in practice:

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1.Kf1 Kf8 2.Ke2 Ke7 3.Kd3 Kd6 4.Kc4 Kc6 Forced. Allowing the white king to enter the queenside is an immediate win: 4...g6 5.Kb5 f5 6.Bc1 f4 7.f3 Kd7 8.Bd2 Kd6 9.Be1 Kd7 10.Bf2+- . 5.f4! The first breakthrough. It is important for White to create some more weakness in Black's camp. This can only be the g7-pawn, so White plans f5 to fix it as a target for his darksquared bishop. f6 5...exf4 loses in a 'quick' fashion: 6.Bxg7 h5 7.e5 Bb6 8.Bh6 Be3 9.Bg5! Bb6 9...Bd2 10.Bd8 10.Bxf4 Bc7 11.Kd4 . Then White will create a passed pawn on the kingside. 6.f5 Fixing the new weakness, the black g7-pawn, as well as the light-square weaknesses on the kingside. Now all the black pawns are potential targets of the darksquared white bishop. Bb6 7.Bc1 Bg1 8.h3 Bf2 9.g4 White is preparing the second breakthrough: g5. Bc5 Black cannot keep his bishop on the e1-h4 diagonal: 9...Bg3 10.Be3 Bf4 11.Bc5+- , as Black cannot protect his a- and g-pawns at the same time. 10.Kd3! It is too early to advance the kingside pawns with 10.h4? Bf2 11.g5 and now the available options are: d) h5! (this saving resource cannot be underestimated. The white king loses his entry option on the kingside) a) 11...fxg5? 12.hxg5 hxg5 12...h5 13.f6 g6 14.f7 Bc5 15.Bb2+- 13.Bxg5 Bb6 14.Be7+- . b) 11...Bxh4? 12.gxh6 gxh6 13.Bxh6 Bg3 14.Bg7 Bh4 15.Bf8 Bg5 16.Be7 Kd7 17.Bc5 Kc6 18.Bf8 Bh4 19.Kd3 Kd7 20.Ke2 Kc6 21.Kf3 Kd7 22.Bg7 Ke7 23.Bh6 Kd7 24.Be3 Kc7 25.Kg4 Be1 26.Kh5+- . c) 11...hxg5? 12.hxg5 Bc5 12...Bh4 13.g6 Bf2 14.Bh6+- or 12...Bg1 [the most stubborn defence] 13.Bd2! Bf2 13...Bd4 14.Kd3 Kd7 15.Ke2 Ke7 16.Kf3 Kf7 17.Kg4 Bf2 18.Kh5 Bg1 19.Be1 Be3 20.Bh4 transposes to the main line 14.Kd3 Kd7 15.Ke2 Bg1 16.Be1 Ke7 17.Bh4+- 13.Kd3! (now, as there is not much hope on the queenside, the white king starts his journey towards the critical g6 square. After 13.g6? Black is holding, as there is no entrance for the white king on the kingside. The same applies to 13.gxf6? gxf6 14.Bh6 Bd6! 14...Be7? 15.Bg7 Bd8 16.Bf8+- or 14...Bf2? 15.Bf8 Bh4 16.Kd3 Kd7 17.Ke2 Bg5 18.Kf3 Bh4 19.Bc5! 19.Kg4? Bf2 20.Kh5 Ke8 21.Bd6 Kd7 22.Bf8 Ke8= 19...Kc6 20.Be3 Be1 21.Kg4 Kb7 22.Kh5 Kc6 23.Kg6 Bh4 24.Kf7 Bg5 25.Ba7 Bh4 26.Ke6 Bg5 27.Bf2+- 15.Bg7 Be7 White should avoid an early exchange on f6 at any cost 13...Be7 14.Ke2 Kd7 14...fxg5 is not helping: 15.Kf3 Kd7 16.Kg4 Ke8 17.Bxg5 Bc5 17...Bxg5 18.Kxg5 Kf7 19.Kg4 Kf6 20.Kh5 Kf7 21.Kg5 Ke7 22.Kg6 Kf8 23.f6+- 18.Kh5 Bb6 19.Kg6 Kf8 20.f6 gxf6 21.Kxf6 Bd4 22.Ke6+- . The same goes on for 14...Kc5 15.Be3+ Kc6 16.Kf3 Kd7 17.Kg4 Ke8 18.Kh5 Kf7 19.Bb6 15.Be3 Bd8 16.Kf3 Ke8 17.Kg4 Kf7 18.Kh5 Bc7 19.Bc5! Bd8 20.Bd6 Bb6 White succeeded in entering with his bishop the critical a3-f8 diagonal. Why is this diagonal so critical? Because from there the white bishop can attack the weak g7-pawn (in case the black king goes to the queenside) and at the same time the d6-pawn (in case of a future ...fxg5) or the a-pawn (in case the black bishop leaves the a5-d8 diagonal). This means that the white king is free to act: 21.Kg4! (returning to the queenside!) Ke8 alternatives as 21...g6 22.gxf6 Kxf6 23.fxg6 Kxg6 24.Bxe5+- or 21...Bd8 22.Kf3 g6 23.gxf6 Bxf6 24.Bc7+- are easily losing 22.Kf3 Bd8 22...Kd7 23.Bf8 fxg5 24.Bxg7 23.Bc5! putting Black into zugzwang. Wrong would be the 'attractive' 23.g6? Be7 24.Bc7 Bd8= 23...Bc7 unfortunately for Black he cannot go on with the bishops' exchange: 23...Be7 24.Bxe7 Kxe7 25.Kg4 and the pawn ending is won for White, as now his king can enter via the g6-square 24.gxf6! gxf6 25.Ke3 Kd7 26.Kd3 Bd8 26...Kc6 27.Be7 27.Kc4 Kc6 28.Bf8! And Black is in zugzwang. Either he will lose his f6-pawn or he will allow the entrance of the white king. In both cases White will easily win. It must be noted that even if it was White's turn to play, Black could not avoid defeat: 29.Bh6 Bc7 30.Bg7 Bd8 31.Bf8. The above analysis is very important, as it will guide us to the winning process, used in the correct line with 10.Kd3!. 12.g6 Bc5 13.Bh6 Bf8 14.Be3 Be7= . But now, after 10. Kd3!, the white king intents to go to the h5-square, from where he will help the advance of his kingside pawns. 10...Be7 'Forced', as after 10...Bf2? 11.Be3! Bxe3 11...Bg3 12.Kc4 Bf4 13.Bc5+- 12.Kxe3 White wins the pawn ending, as he has kept two tempi in hand (h4 and h5). 11.Be3 Bd6 12.Ke2 Bf8 13.Kf3 Be7 14.Kg3 Bc5 The key to this ending lies in controlling the important g1-a7 diagonal. If White gets it, he is winning. So, Black's try is understandable. 15.Bf2! 15.Bd2 also seems to be winning: Kd7 15...Bd4? 16.Kh4 Kd6 17.Kh5 Ke7 18.Kg6 Kf8 19.h4+- 16.Kh4 Ke7 17.Kh5 Kf7 18.h4 Bd4 19.g5 hxg5 20.hxg5 Bc5 20...fxg5 21.Bxg5 Bb6 22.Bh4 Bc7 23.Bf2 Bd8 24.Be3 Bc7 25.Bc5 Bd8 25...Kf6 26.Ba7 Kf7 27.Kg4 g6 28.Bf2 Bd8 29.Kf3 Bc7 30.Bh4 Bb6 31.Bg5 Bc7 32.Ke3 Bb6+ 33.Kd3 Bc7 34.Kc4 26.Bd6 Kf6 27.Kg4 and the white king comes back to c4, entering the queenside 21.Be1 Be3 22.Bh4 Bc5 23.Kg4 Ke7 24.Kf3 Bb6 25.Ke2 Bd8 26.Ke3! putting Black into zugzwang. 26.gxf6+? gxf6 27.Ke3 27.Bf2 Kd6 28.Kd3 28.Kf3 Bc7 29.Kg4 Ke7 30.Kh5 Kf7 31.Bc5 Bd8 32.Kg4 Ke8 33.Kf3 Kd7 33...Be7 34.Bb6 Bd8 34.Ke2 Be7 35.Bb6 28...Kc6 29.Kc4 Be7 30.Be3= 27...Kd7 28.Kf3 Ke7 29.Bf2 Bc7 30.Bc5+ Kd7 31.Ke3 Bd6= 26...Kd7 27.Kf3 Ke7 28.Bf2 and we get one of the well-known winning positions, examined previously. 15...Bd6 Black cannot keep his bishop on this diagonal anymore: 15...Bd4 16.Kf3 Kc5 17.Be3 Kc6 18.Ke2 Bc3 19.Kd3 Bb2 20.Kc4 Bc3 21.Bc5+- or 15...Kd6 16.Kf3 Bd4 17.Ke2+- . 16.Kh4 Bc5 17.Bg3! Kd7 18.Kh5 Ke8 19.Kg6 Kf8 20.h4 Now White is ready for the g5 breakthrough. Be3 21.g5! hxg5 22.hxg5 Bxg5 23.Bxe5 And White wins. 1–0
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Example 1-Bishop ending-1–02007Analysis

The other two examples will follow soon...


Efstratios Grivas

Efstratios Grivas is a grandmaster and highly experienced chess trainer and chess author.

He lives in Athens, and he is also a FIDE Senior Trainer (Secretary of the FIDE Trainers' Commission), an International FIDE Chess Arbiter and an International FIDE Chess Organizer. He has represented his country on a great many occasions, winning the fourth position in the World Junior Championship 1985, an individual gold medal at the 1989 European Team Championship and an individual silver medal at the 1998 Olympiad.

In 2010 he was awarded the worldwide highly important FIDE TRG Awards – the Boleslavsky Medal (best author) for 2009.

Previous lectures

Grivas: Chess Expertise Step by Step
05.11.2011 – Greek grandmaster Efstratios Grivas is a highly experienced chess trainer and chess author. He has participated in the ChessBase sponsored program of training sessions for talented young players. In addition he has recorded a number of training DVDs, the latest of which deals with rook handling in the endgame, with four hours of personal video instructions. Do not miss this one.
Grivas Training: Building a Repertoire
18.04.2011 – "In contrast to the middlegame and the endgame, where theory is objective and accepted by everyone, in the opening each chess player makes his choices in accordance with his emotions and his personal experience. No opening loses, no opening wins." World renown chess trainer GM Efstratios Grivas explains how you should build your repertoire in Part 3 of his lecture series.
Grivas Training: Getting to Know Ourselves
13.02.2011 – Young chess players need to be able to identify the assets and weaknesses of their chess personalities. Many trainers and trainees have wondered how this can be done properly. The basic resource are one's recent games, which are used to produce an "X-ray image" of one's chess-self. GM Efstratios Grivas, a world-class trainer, tells us how to go about it, in Part 2 of his lecture series.
ChessBase Training with GM Efstratios Grivas (Part 1)
28.01.2011 – How do you help talented young chess players to realize their potential? Working with a world-class trainer is a good way to start. ChessBase has started a program to sponsor a series of training sessions, which started, logically, in our offices in Hamburg. Five young talents got a full-day session with an internationally known chess coach, who has graciously placed his entire lecture at our disposal.

Copyright Grivas/ChessBase


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