The Road to Chess Mastery
By GM Lubomir Kavalek
Siegbert Tarrasch, one of the world's finest players from 1890 till World
War One, taught chess in his book Three Hundred Chess Games. Vassily
Panov presented in Russian 300 Selected Games of Alexander Alekhine
with the notes of the former world champion.
In his book GM-Ram, IM Rashid Ziyatdinov prints 256 plain diagrams
and asks you to fill in the remaining 44 positions. This is your chess brain,
he says, but he doesn't tell you what to do with it. No text, no words - you
are on your own. Once you acquire the "essential grandmaster knowledge"
of these positions, chess is easy. Off you go, mastering the game and becoming
a grandmaster. He also added 59 classical games without notes. "To be World
Champion - at the level of Alekhine and Kasparov -you must know 1,000 most important
games of top players," he claims.
The
English grandmaster John Nunn gets to the number 300 differently. Instead of
positions, he discusses ideas. His book Understanding Chess Endgames
is a wonderful presentation of 100 key endgame ideas. Each idea has four fragments.
The follow-up is Understanding Chess Middlegame, consisting of 100
important topics, each treated with two examples. Altogether, there are 300
ideas and more. No need to write Understanding Chess Openings, although
one finds many rich opening ideas in Nunn's Understanding Chess Move by
Move and 101 Brilliant Chess Miniatures. All Nunn's books were
published by Gambit Publications.
In one of the first chapters of his middlegame treatise, Nunn reveals one of
the main points of middlegame play: "All parts of the board are connected.
Plans, strategies and tactics that occur in one area of the board can impact
another part of the board in unexpected ways." He calls it "interconnectedness,"
but perhaps it has more to do with synchronicity. Butterfly flaps its wings
in China, triggering an earthquake in California. White's dark bishop sneezes
on the queenside, the black king catches a cold on the kingside. Something like
that.
To prove the point, Nunn connects two games with the same theme: Botvinnik-Capablanca,
one of the most famous games in history, and my game with Uhlmann from the 1976
Manila Interzonal. There are similarities: white plays the move a3-a4, only
to lose the a-pawn later. But it opens the diagonal a3-f8 for his dark bishop,
helping him to finish a successful kingside attack.
Mikhail Botvinnik's glamorous game against Jose Raul Capablanca in the elite
AVRO tournament, played in Rotterdam in 1938, drew attention for other reasons.
Not only did a spectator shout out loud the key move of the winning combination
before it was played, but it turned out Botvinnik could have won the game earlier
without sacrificing his pieces. Richard Cantwell, a Fairfax dentist and veteran
of the Washington D.C. chess scene, discovered this more than 60 years after
it was played.
For many years the game was Botvinnik's calling card, published all over the
globe. Not surprisingly, the game found its way into Garry Kasparov's book On
My Predecessors, Volume Two, published by Everyman
Chess. But Cantwell found additional improvements, notably on the 1988 analysis
by Moscow master Vladimir Goldin, cited by Kasparov.
Note that in the replay windows below you can click on the notation to
follow the game.
Nunn combines the Botvinnik-Capablanca encounter with the following game because
white helps his kingside attack by placing his dark bishop on a3. But it was
not what I was going to do. I wanted to place on the square a3 my Queen!
I came to the 1976 Manila Interzonal with a wonderful second, Jan Timman. The
Dutch grandmaster was about to move up among the world-class players, but he
was not there yet. Snatching him was a great deal. It might have been the last
time Jan took a coaching job.
The French Winawer was Timman's domain. He played it with both colors, but
with the black pieces he suffered against two Yugoslav players, Bojan Kurajica
and Albin Planinec. Before my game against Uhlmann, Timman's experience came
in handy. We knitted several ideas together and they worked perfectly.
Viktor Moskalenko, who likes exotic names and peppers his books with fresh, interesting
ideas, wrote about the difficult opening in
The Flexible French and
The
Wonderful Winawer. Both books, published by
New
In Chess, are great reads. But Kurajica's maneuver Qd1-c1-a3 went unnoticed.
Where to look for chess ideas...
Several books with original ideas are worth reading. Two were already mentioned
in previous columns. Invisible Chess Moves by Yochanan Afek and Emmanuel Neiman,
published by New In Chess. It won Chess Cafe's 2011 Book of the Year Award.
The runner-up Lessons with a Grandmaster by Boris Gulko and Dr. Joel R. Sneed,
published by Everyman Chess, is based on a Socratic dialog, previously used
by Andrew Soltis in his chess books. Gulko dives deep into his games and explains
them clearly and well.
Quality Chess has published various
books by strong grandmasters. Artur Yusupov's series Boost your Chess, Beyond
the Basics and Chess Evolution, The Fundamentals are great training
tools. Lev Psakhis's Advanced Chess Tactics is a beautiful, witty sentimental
journey into his past with a special tribute to the legendary attacker, the
world champion Mikhail Tal.
Grandmaster Versus Amateur, edited by Jacob Aagaard and John Shaw,
is a great attempt by several grandmasters to map their paths to the grandmaster
title. Their struggles and triumphs are vividly described and have instructive
value.
Amateurs who want to reach a more modest 2100 rating can always turn to Jeremy
Silman's classic How to Reassess Your Chess. In the fourth almost completely
re-written edition, the California IM delves into psychology. The 658-page epic
book underscores Silman's trademark: how to balance chess imbalances.
Original
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