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Deadline Hollywood is reporting that Walt Disney Studios has purchased the screen rights to Matthew Charman's play The Machine. Charman will adapt his play about the 1997 chess match between the IBM computer Deep Blue and its designer Dr. Hsu, pitted against World Chess Champion Garry Kasparov.
Playwright Matt Charman, who wrote The Machine
The Park Avenue Armory, where The Machine was staged, is a not-for-profit cultural institution on New York City's Upper East Side. Since taking over the building in December 2006, Park Avenue Armory’s mission has been to revitalize the landmark building as a center for unconventional works in the performing and visual arts, while simultaneously maintaining and restoring the historic aspects of the building.
The Machine made its U.S. premiere earlier this month at the Park Avenue Armory
Taken in August 2013, this time-lapse shows the process of building the stage and seating for The Machine. The play was staged with arena-style seating that put the audience in the center of the action.
Rourke’s production, with its swooping
cameras and choreographed chess games,
is a whirl of activity and boasts strong performances,” Michael Billington
wrote in The
Guardian
Electrifying action in The Machine – and no, we were there, he did not do this in 1997
Photos from the Park Avenue Armory permiere by Stephanie Berger
ChessBase:
A play based on Kasparov vs Deep Blue
It's called The Machine and it played in July in Manchester. If you
live in America you can catch it at the Park Avenue Armory in September.
And maybe you are going to have to, since it appears to be a well-made,
dramatically compelling stage production that captures the atmosphere
of the monumental battle between man and machine. Allan Beardsworth
caught it in Manchester.
New
York Times: Gladiators Battling on the Chess Board
The 1997 encounter was hardly your average chess match, and “The
Machine” presents it as a high-tech gladiatorial spectacle. What
Mr. Charman calls the “natural drama” was not lost on experts
at the time. “It had the impact of a Greek tragedy,” Monty
Newborn, the chairman of the chess committee for the Association for
Computing, said in a 1997 article in The New York Times.
New
York Times: Analyzing the Moves of a King
The play’s action switches fluidly between the present tense of
1997, when Kasparov meets Deep Blue in a televised match in Manhattan,
and memories of earlier events, triggered by those literal-minded mnemonic
keywords that so often occasion flashbacks in movies.
Slant:
Anti-Capitalist Tragedy – Matt Charman's The Machine
The real game being played isn't over the chessboard, but between the
online media stream and the global network of potential customers for
IBM hardware and software. Mankind's dignity isn't on the line; stock
prices are.
Broad
Street Review: Man vs. Machine
IBM was struggling to keep its place in the world market against the
rising Microsoft. It hired Taiwan-born Feng-Hsiung Hsu to invent a computer
program that could defeat Kasparov with the whole world watching, thereby
making a corporate comeback and raising its stock significantly.
BBC:
Stage set for Kasparov v Deep Blue chess thriller
The ground-breaking chess battle between Garry Kasparov and computer
Deep Blue in 1997 was a pivotal moment in the relationship between man
and technology. Matt Charman's new play The Machine explores the human
drama at its centre.
The
Telegraph: Review by Dominic Cavendish
If the evening doesn’t entirely make the case for chess as a source
of riveting drama, it cogently suggests that this duel between mortal
neurons and programmed circuitry wasn’t some diverting sideshow
but an existential confrontation of the highest order.
The
Independent: Review by Paul Vallely
When the interval arrived during The Machine I realised I had been so
engrossed by the play that I had forgotten to take a single note during
the first half. Charman is no ordinary playwright, as his immensely
compelling firecracker script revealed.
Breathless review of the Armory production by Andrew+Andrew in New York
