Gelfand visits Prague
Former World Championship challenger Boris Gelfand was part of the inaugural Prague Chess Festival in 2019. The Israeli played in the Masters and finished in shared second place on 5 out of 9, scoring wins over Shankland and Harikrishna and losing against Vidit. Although he is not competing this year, he returned to the Czech capital as a special guest.
On Monday, Gelfand gave a simultaneous exhibition against participants of the Futures tournament. The current leader of that category, Ediz Gurel from Turkey, took down Gelfand, while Inna Puhajkova managed to draw the living legend. Gelfand commented:
I like to come here and hope that this Festival will become a tradition that will last for many years. It is great for the young chess players to sit next to the experienced players. I hope they will remember the simultaneous with me and that it will teach them something.

Time to get an autograph! | Photo: Vladimir Jagr
On this DVD a team of experts looks closely at the secrets of Karpov's games. In more than 7 hours of video, the authors examine four essential aspects of Karpov's superb play.
Then came the Festival at the Aero Cinema. Fittingly, the first film presented was Halil Efrat's "Album 61", a documentary about Gelfand's experience during the 2012 World Championship against Vishy Anand. When the film was over, there followed a conversation between Jan Novak and Lubomir Kavalek. Kavalek built a strong friendship with Oscar-winning filmmaker Milos Forman — director of "One Flew Over the Cuckoo's Nest", "Velmont", "Amadeus", among others — who was incidentally a chess enthusiast. Kavalek told the following story:
Milos was in Venice at the Festival, so I invited him to Merano, where Korchnoi and Karpov played together. So we watch them play, and he tells me that those chairs where chess players sit for five hours must be very comfortable. I confirmed that to him, and he asked if he could go buy them. So we went to the organizer, Miloš wrote a check and they promised to deliver it in due time.
But nothing happened for a long time, so I persuaded the organizer to contact the company, and finally they arrived. And Milos had those chairs in his study, sitting on them when he wrote the scripts. The Karpov chair broke down in about three years, but the Korchnoi chair still remained. And when Karpov played with Kasparov in New York in 1990, I promised that Karpov would give him a new chair.
After Kavalek's lecture, the documentary film "Magnus" was projected, in which, through an extensive amount of archival footage and home movies, director Benjamin Ree reveals Carlsen's unusual and rapid trajectory to the pinnacle of the chess world.
Round six
Returning to the chess action, the sixth round saw two games ending in draws that lasted 30 moves or fewer, but not without a fight. Nils Grandelius versus Jan-Krzysztof Duda showed correct play by both sides and finished when Duda got to penetrate the second rank with his rook, forcing White to accept a perpetual.
Meanwhile, the game between Pentala Harikrishna and David Anton featured a Catalan — Gelfand joined the commentary team and explained that he plays the Catalan with White because Black needs to be precise to maintain equality, as making a small mistake can cost him dearly. Anton was up to the task and got the half point.
1.e4 | 1,166,623 | 54% | 2421 | --- |
1.d4 | 947,298 | 55% | 2434 | --- |
1.Nf3 | 281,602 | 56% | 2441 | --- |
1.c4 | 182,102 | 56% | 2442 | --- |
1.g3 | 19,702 | 56% | 2427 | --- |
1.b3 | 14,265 | 54% | 2427 | --- |
1.f4 | 5,897 | 48% | 2377 | --- |
1.Nc3 | 3,801 | 51% | 2384 | --- |
1.b4 | 1,756 | 48% | 2380 | --- |
1.a3 | 1,206 | 54% | 2404 | --- |
1.e3 | 1,068 | 48% | 2408 | --- |
1.d3 | 954 | 50% | 2378 | --- |
1.g4 | 664 | 46% | 2360 | --- |
1.h4 | 446 | 53% | 2374 | --- |
1.c3 | 433 | 51% | 2426 | --- |
1.h3 | 280 | 56% | 2418 | --- |
1.a4 | 110 | 60% | 2466 | --- |
1.f3 | 92 | 46% | 2436 | --- |
1.Nh3 | 89 | 66% | 2508 | --- |
1.Na3 | 42 | 62% | 2482 | --- |
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1.e4 c5 2.Nf3 d6 3.Bb5+ Nd7 4.d4 cxd4 5.Qxd4 a6 6.Bxd7+ Bxd7 7.Nc3 e5 8.Qd3 Rc8 9.0-0 h6 10.Nd2! Qc7 11.Rd1 Nf6 12.Nf1 Bg4 13.Re1 Be6 14.Ne3 Be7 15.Rd1 0-0 16.a4 16...Bc4N 16...Rfd8 17.a5 Bf8 18.Bd2 g6 19.Be1 Qc5 20.Na4 Qc6 21.Nb6 Nxe4 22.Nxc8 Rxc8 17.Nxc4 Qxc4 18.a5 Qxd3 19.Rxd3 Rc4 20.f3 Rfc8 21.Kf1 Kf8 22.Bd2 Ne8 23.Nd5 Rxc2 24.Bc3 Bh4 25.Ne3 Rf2+ 26.Kg1 26...Re2 27.Kf1 Rf2+ 28.Kg1 Re2 29.Kf1 Rf2+ ½–½ - Start an analysis engine:
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Grandelius,N | 2659 | Duda,J | 2755 | ½–½ | 2020 | | Prague Festival Masters 2020 | 6.3 |
Harikrishna,P | 2713 | Anton Guijarro,D | 2697 | ½–½ | 2020 | | Prague Festival Masters 2020 | 6.1 |
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On this DVD Grandmaster Daniel King offers you a repertoire for Black against the Catalan, based around maintaining the rock of a pawn on d5. Keeping central control ultimately gives Black good chances to launch an attack against the enemy king.
So far, the leader in Prague, Vidit, has won his three games with White and drawn the three times he has played with the black pieces. Against Nikita Vitiugov on Tuesday, he had Black and found himself under pressure out of the opening:
White clearly has the upper hand, with chances to increase the pressure on the queenside against Black's slightly cramped pieces. Here Vitiugov decided to offer a queen swap with 20.♕a4, an offer Vidit did not take long to accept. From this point on, it was easier for the Indian to defend against White's threats. The draw was signed after 39 moves.
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1.d4 Nf6 2.Bf4 e6 3.e3 c5 4.Nf3 cxd4 5.exd4 b6 6.h3 Be7 7.a4 0-0 8.Nbd2 d6 9.Bb5 Ba6 10.0-0 10...Bxb5N 10...Bb7 11.Re1 a6 12.Bd3 Nbd7 13.c3 Re8 14.Bh2 Nf8 15.Nc4 Nd5 16.Nfd2 b5 17.axb5 axb5 18.Rxa8 Bxa8 11.axb5 Nd5 12.Bg3 Nc7 13.c4 a6 14.bxa6 Rxa6 15.Qb3 Qd7 16.Rxa6 Nbxa6 17.Ra1 Rb8 18.Ne4 h6 19.Nc3 Bf8 20.Qa4 Qxa4 21.Rxa4 Rb7 22.b4 Nb8 23.b5 Nd7 24.Kf1 f5 25.h4 Be7 26.Bf4 Kf7 27.Na2 e5 28.dxe5 Nc5 29.Ra3 d5 30.cxd5! Nxd5 31.Bd2 Ne4 32.Rd3 Ra7 33.Nc1 Nc7 34.Be3 Ra1 35.g3 Nc5 36.Rd1 Nxb5 37.Re1 Ke6 38.Ne2 Rxe1+ 39.Kxe1 g5 ½–½ - Start an analysis engine:
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Vitiugov,N | 2731 | Vidit,S | 2721 | ½–½ | 2020 | | Prague Festival Masters 2020 | 6.5 |
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Jeroen van den Berg, chief organizer of the Tata Steel Tournament, played the first move in Nikita Vitiugov v Vidit Gujrathi | Photo: Vladimir Jagr
The player who got closer to getting a full point in round six was Sam Shankland, who showed good preparation with Black against Markus Ragger:
The Italian Game is considered a sound but quiet opening without early trades, giving rise to rich positions where plans are more important than forced variations. So shows black's plans on this DVD.
Ragger had spent over ten minutes on his previous 12.♖e1, while Shankland continued to blitz out his moves when he responded with 12...d5, a forcing line that gave Black good chances after 13.exd5 ♞xd5 14.♘xd5 ♝xd5 15.♘xe5 ♝xe5 16.d4 0-0-0.
Shankland kept up the pressure, but Ragger never stopped finding the way to keep the struggle going. Eventually, the Austrian grandmaster managed to simplify into a rook endgame a pawn down. Unfortunately for Shankland — who after his first round loss has shown good form — White had enough activity to get the draw.
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1.e4 e5 2.Nf3 Nc6 3.Bc4 Nf6 4.d3 h6 5.c3 d6 6.0-0 g5! 7.Bb3 Bg7 8.Nbd2 8...a5N 8...a6 9.Nc4 Be6 10.Re1 g4 11.Nfd2 Qd7 12.a4 h5 13.a5 h4 14.Nf1 0-0-0 9.a4 Qe7 10.Nc4 Be6 11.Ne3 Qd7 12.Re1 d5 13.exd5 Nxd5 14.Nxd5 Bxd5 15.Nxe5 Bxe5 16.d4 0-0-0 17.dxe5 Qe6 18.Bxd5 Rxd5 19.Qc2 Nxe5 20.Be3 Qg4 21.Red1 Nf3+ 22.Kh1 Nh4! 23.Rg1 23.f3 Rxd1+ 24.Rxd1 Nxf3 25.Rf1 23...Rhd8 24.h3 Qd7 25.Rge1 25.Qe2 25...Rd3 25...f5! 26.f4 Rd3 26.Qe2 26...Qd5! 27.Qf1 h5 28.c4 Qc6! 29.Kg1 f6 30.f3 Nf5 31.Bf2 h4 32.Qe2 Rd2 32...Qxc4 33.Rac1= 33.Qe4 33.Qe6+ Qxe6 34.Rxe6 33...Qxe4-+ 34.fxe4 Nd4 35.Rab1 Ne2+ 36.Kf1 Nf4 37.Be3 Rc2 38.Bxf4 gxf4 39.Re2 Rxc4 40.b3 Rb4 41.e5 f5 41...fxe5 42.Rxe5 b6 42.e6! Re4 43.Rc1 Re8 44.Rec2 44.Rc5!= 44...Re7 44...R4xe6?! 45.Rxc7+ Kb8 46.R7c5= 45.Rc5 b6 45...R4xe6?! 46.Rxa5 Rf7 47.Ra8+ Kd7 48.Rh8= 45...R7xe6?! 46.Rxc7+ Kb8 47.Rc8+ Ka7 48.Rh8= 46.Rxf5 R7xe6 47.Rf7 Re7 48.Rxe7 Rxe7 49.Rc4 Rf7 50.Kf2 c5 51.Re4 Kc7 52.Re6 52.Re5 52...Rd7! 53.Rh6 Rd2+ 54.Kf1 54...f3! 55.gxf3 Rd4 56.Rh7+ Kc6 57.Rh6+ Kb7! 58.Rh7+ 58...Ka6! 59.Kf2 59.Rg7 59...c4!-+ 60.bxc4 Rxc4 61.Ke3 Rxa4 62.f4 Ra3+ 63.Ke2 Rxh3? 63...Ra2+-+ 64.Ke3 Ra3+ 65.Ke4 a4 64.f5= Rc3 65.Rxh4 Rc6 66.Kd3 Kb5 67.Rf4! Rf6 68.Kd4 Rf8 69.f6 Kb4 70.Kd5+ Kb5 71.Kd4 Rf7 72.Rf1 Rd7+ 73.Kc3 Rc7+ 74.Kd3 Rf7 75.Kd4 a4 76.Kc3 Ka5 ½–½ - Start an analysis engine:
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Ragger,M | 2670 | Shankland,S | 2683 | ½–½ | 2020 | | Prague Festival Masters 2020 | 6.2 |
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Markus Ragger playing White against Sam Shankland | Photo: Vladimir Jagr
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Another interesting opening battle was seen in Alireza Firouzja versus David Navara. The contenders delved into an Italian, which prompted Gelfand to explain why this opening is so popular in the elite. The Israeli noted that the neural networks like Leela tend to give more optimistic evaluations than Stockfish. A noteworthy insight by Gelfand in this regard is that this fact helps players believe in their positions, a crucial factor when facing a strong opponent.
The 51-year-old from Minsk also gave his opinion about Firouzja:
He's very strong, but still we saw in the last round that he has a lot of weaknesses. But definitely he's ambitious. [...] The question is how quickly he will overcome these weaknesses — some of them come from immaturity, but some probably require some more work.
Gelfand highlighted the importance of experience, concluding that the wunderkind is showing an amazing level at his young age:
In Wijk aan Zee he got to play in a row with Carlsen, Caruana, Anand — he didn't manage. But of course it's a matter of time and the work he will put in. He's extremely strong already and, if you take into account his age, we can say that he has amazing potential. No doubt about it.
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1.e4 e5 2.Nf3 Nc6 3.Bc4 Bc5 4.0-0 Nf6 5.d3 d6 6.c3 h6 7.Nbd2 0-0 8.h3 a6 9.a4 Re8 10.Qb3N 10.Re1 Be6 11.b4 Ba7 12.Bxe6 Rxe6 13.Qc2 Qd7 14.Nc4 Ne7 15.Be3 Bxe3 16.Nxe3 10...Be6 11.a5 b5 12.axb6 cxb6 13.Bxe6 Rxe6 14.Rd1 d5 15.exd5 Qxd5 16.Qxd5 Nxd5 17.Ne4 Bf8 18.g4 a5 19.h4 Rd8 20.g5 hxg5 21.hxg5 Nce7 22.Nh4 Ng6 23.Nxg6 Rxg6 24.Kf1 f5 25.gxf6 gxf6 26.Ng3 Bh6 27.Bxh6 Rxh6 28.d4 28...Nf4 29.dxe5 Rxd1+ 30.Rxd1 fxe5= 31.Ke1 Kf7 32.b3 Ke8 33.c4 Rg6 34.Kd2 Rd6+ 35.Kc2 Rxd1 36.Kxd1 Kd7 37.Kd2 Kc6 38.Kc3 Ne6 39.Ne4 Nc5 40.Nxc5 Kxc5 41.f3! b5 42.cxb5 Kxb5 43.Kc2 Kb4 44.Kb2 a4 45.bxa4 Kxa4 46.Kc3 46...Kb5 47.f4 Kc5 48.fxe5 Kd5 49.e6 Kxe6 ½–½ - Start an analysis engine:
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Firouzja,A | 2726 | Navara,D | 2717 | ½–½ | 2020 | | Prague Festival Masters 2020 | 6.4 |
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Alireza Firouzja | Photo: Vladimir Jagr
Standings after Round 6
Rk. | | Name | Rtg. | Nt. | Pts. | n | | | | | | | | | | | TB | Perf. |
---|
1 | | | 2721 | | 4.5 | 6 | | | | | | | | | | | 2.00 | 2887 |
2 | | | 2731 | | 3.5 | 6 | | | | | | | | | | | 2.00 | 2755 |
3 | | | 2755 | | 3.5 | 6 | | | | | | | | | | | 0.50 | 2747 |
4 | | | 2697 | | 3.0 | 6 | | | | | | | | | | | 1.00 | 2720 |
5 | | | 2726 | | 3.0 | 6 | | | | | | | | | | | 0.50 | 2702 |
6 | | | 2659 | | 2.5 | 6 | | | | | | | | | | | 2.00 | 2670 |
7 | | | 2713 | | 2.5 | 6 | | | | | | | | | | | 1.50 | 2652 |
8 | | | 2670 | | 2.5 | 6 | | | | | | | | | | | 1.50 | 2665 |
9 | | | 2683 | | 2.5 | 6 | | | | | | | | | | | 1.00 | 2655 |
10 | | | 2717 | | 2.5 | 6 | | | | | | | | | | | 0.50 | 2641 |
TBs: Koya, Wins, Direct encounter |
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1.e4 c5 2.Nf3 e6 3.d4 cxd4 4.Nxd4 Nc6 5.Nc3 Qc7 6.g3 a6 7.Bg2 Nf6 8.0-0 Nxd4 9.Qxd4 Bc5 10.Bf4 d6 11.Qd2 h6 12.Rad1 e5 13.Be3 Bb4 14.a3 14.Nb5!? axb5 15.Qxb4 14...Bxc3! 15.Qxc3 Qxc3 16.bxc3 Be6 17.Rxd6 Rc8 18.Bb6N 18.Bd2 Ke7 19.Rb6 Rhd8 20.Rxb7+ Kf8 21.Be3 18.Rb1 Rxc3 19.Rxb7 0-0 20.Ra7 Ng4 21.Bd2 Rxa3 22.Bf1 Rc8 23.Bd3 Ra1+ 24.Kg2 18...0-0 19.Ba5 Rc4! 20.Rb6 Nxe4 21.Re1 Nxc3 22.Bxb7 Na4 23.Rxa6 Nc5 24.Ra7 Nxb7 25.Rxb7 Rxc2 26.Rxe5 Ra2 27.Kg2 Re8 28.Bc7 Rxa3 29.Rb8 Rxb8 30.Bxb8= g5 31.h3 Rd3 32.Re1 h5 33.Ba7 Kg7 34.Kh2 Kg6 35.Be3 g4 36.h4 Bd5 ½–½ - Start an analysis engine:
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Grandelius,N | 2659 | Harikrishna,P | 2713 | ½–½ | 2020 | B47 | Prague Festival Masters 2020 | 1.1 |
Firouzja,A | 2726 | Ragger,M | 2670 | ½–½ | 2020 | C84 | Prague Festival Masters 2020 | 1.2 |
Vitiugov,N | 2731 | Anton Guijarro,D | 2697 | 1–0 | 2020 | B31 | Prague Festival Masters 2020 | 1.3 |
Vidit,S | 2721 | Shankland,S | 2683 | 1–0 | 2020 | E46 | Prague Festival Masters 2020 | 1.4 |
Navara,D | 2717 | Duda,J | 2755 | 0–1 | 2020 | B90 | Prague Festival Masters 2020 | 1.5 |
Shankland,S | 2683 | Navara,D | 2717 | ½–½ | 2020 | E06 | Prague Festival Masters 2020 | 2.1 |
Grandelius,N | 2659 | Firouzja,A | 2726 | ½–½ | 2020 | C67 | Prague Festival Masters 2020 | 2.2 |
Anton Guijarro,D | 2697 | Vidit,S | 2721 | ½–½ | 2020 | D38 | Prague Festival Masters 2020 | 2.3 |
Harikrishna,P | 2713 | Duda,J | 2755 | ½–½ | 2020 | A40 | Prague Festival Masters 2020 | 2.4 |
Ragger,M | 2670 | Vitiugov,N | 2731 | ½–½ | 2020 | C11 | Prague Festival Masters 2020 | 2.5 |
Firouzja,A | 2726 | Harikrishna,P | 2713 | 1–0 | 2020 | C84 | Prague Festival Masters 2020 | 3.1 |
Navara,D | 2717 | Anton Guijarro,D | 2697 | 0–1 | 2020 | D35 | Prague Festival Masters 2020 | 3.2 |
Duda,J | 2755 | Shankland,S | 2683 | ½–½ | 2020 | B90 | Prague Festival Masters 2020 | 3.3 |
Vitiugov,N | 2731 | Grandelius,N | 2659 | ½–½ | 2020 | A48 | Prague Festival Masters 2020 | 3.4 |
Vidit,S | 2721 | Ragger,M | 2670 | 1–0 | 2020 | D85 | Prague Festival Masters 2020 | 3.5 |
Ragger,M | 2670 | Navara,D | 2717 | ½–½ | 2020 | C50 | Prague Festival Masters 2020 | 4.1 |
Harikrishna,P | 2713 | Shankland,S | 2683 | ½–½ | 2020 | B90 | Prague Festival Masters 2020 | 4.2 |
Firouzja,A | 2726 | Vitiugov,N | 2731 | ½–½ | 2020 | C84 | Prague Festival Masters 2020 | 4.3 |
Anton Guijarro,D | 2697 | Duda,J | 2755 | ½–½ | 2020 | A05 | Prague Festival Masters 2020 | 4.4 |
Grandelius,N | 2659 | Vidit,S | 2721 | ½–½ | 2020 | C65 | Prague Festival Masters 2020 | 4.5 |
Shankland,S | 2683 | Anton Guijarro,D | 2697 | ½–½ | 2020 | A45 | Prague Festival Masters 2020 | 5.1 |
Navara,D | 2717 | Grandelius,N | 2659 | 1–0 | 2020 | A33 | Prague Festival Masters 2020 | 5.2 |
Vitiugov,N | 2731 | Harikrishna,P | 2713 | ½–½ | 2020 | D02 | Prague Festival Masters 2020 | 5.3 |
Duda,J | 2755 | Ragger,M | 2670 | ½–½ | 2020 | C68 | Prague Festival Masters 2020 | 5.4 |
Vidit,S | 2721 | Firouzja,A | 2726 | 1–0 | 2020 | D10 | Prague Festival Masters 2020 | 5.5 |
Harikrishna,P | 2713 | Anton Guijarro,D | 2697 | ½–½ | 2020 | E01 | Prague Festival Masters 2020 | 6.1 |
Ragger,M | 2670 | Shankland,S | 2683 | ½–½ | 2020 | C55 | Prague Festival Masters 2020 | 6.2 |
Grandelius,N | 2659 | Duda,J | 2755 | ½–½ | 2020 | B51 | Prague Festival Masters 2020 | 6.3 |
Firouzja,A | 2726 | Navara,D | 2717 | ½–½ | 2020 | C50 | Prague Festival Masters 2020 | 6.4 |
Vitiugov,N | 2731 | Vidit,S | 2721 | ½–½ | 2020 | A45 | Prague Festival Masters 2020 | 6.5 |
Shankland,S | 2683 | Grandelius,N | 2659 | 1–0 | 2020 | D86 | Prague Festival Masters 2020 | 7.1 |
Anton Guijarro,D | 2697 | Ragger,M | 2670 | ½–½ | 2020 | A50 | Prague Festival Masters 2020 | 7.2 |
Navara,D | 2717 | Vitiugov,N | 2731 | ½–½ | 2020 | A20 | Prague Festival Masters 2020 | 7.3 |
Duda,J | 2755 | Firouzja,A | 2726 | 0–1 | 2020 | A11 | Prague Festival Masters 2020 | 7.4 |
Vidit,S | 2721 | Harikrishna,P | 2713 | ½–½ | 2020 | D37 | Prague Festival Masters 2020 | 7.5 |
Harikrishna,P | 2713 | Ragger,M | 2670 | ½–½ | 2020 | C84 | Prague Festival Masters 2020 | 8.1 |
Grandelius,N | 2659 | Anton Guijarro,D | 2697 | 0–1 | 2020 | B31 | Prague Festival Masters 2020 | 8.2 |
Firouzja,A | 2726 | Shankland,S | 2683 | ½–½ | 2020 | C50 | Prague Festival Masters 2020 | 8.3 |
Vitiugov,N | 2731 | Duda,J | 2755 | ½–½ | 2020 | D02 | Prague Festival Masters 2020 | 8.4 |
Vidit,S | 2721 | Navara,D | 2717 | 0–1 | 2020 | E12 | Prague Festival Masters 2020 | 8.5 |
Navara,D | 2717 | Harikrishna,P | 2713 | 0–1 | 2020 | D25 | Prague Festival Masters 2020 | 9.1 |
Ragger,M | 2670 | Grandelius,N | 2659 | ½–½ | 2020 | B52 | Prague Festival Masters 2020 | 9.2 |
Anton Guijarro,D | 2697 | Firouzja,A | 2726 | ½–½ | 2020 | E92 | Prague Festival Masters 2020 | 9.3 |
Shankland,S | 2683 | Vitiugov,N | 2731 | 1–0 | 2020 | A10 | Prague Festival Masters 2020 | 9.4 |
Duda,J | 2755 | Vidit,S | 2721 | 1–0 | 2020 | D38 | Prague Festival Masters 2020 | 9.5 |
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