Report and photos by Albert Silver
(click on images for high-res version)
The day started quite normally as the players entered the glass playing room. Magnus was in good spirits, presumably content with his near wins, seeing them as an indication that it was merely a matter of time. Little did he know that Karjakin felt the same, except on the exact opposite side of the spectrum. He too felt it was just a matter of time, but to get a chance at the World Champion. One of them would be proven right this round.

Magnus gives Karjakin a big smile as they shake hands. One curiosity of the opening moves was that a warning was issued to the photographers allowed into the glss room where they could take photos for the first ten minutes: two had been caught the previous day actually taking selfies.

Bennett Miller, director of "Capote", makes the opening move. The film "Capote" gave the late Philip Seymour Hoffman the Oscar for Best Actor.

No Ruy Lopez! There were no doubt cheers in the spectator's area as played 3. Bc4

Sergey Karjakin was all business as the game started

Anastasia Karlovich, FIDE press officer and photographer
The main room is quite full today, with fans loving the complicated struggle going on. The organizers are also running a blitz tournament in view of the success of the one two days ago. One can hear the pairings being announced while others debate the game at hand.

Avid chess fun playing the blitz event

The famous Spanish journalist Leontxo Garcia stayed focused on the task at hand

It was with no small surprise that I discovered I was not the only Brazilian journalist at the venue covering the match. Meet Lincoln Lucena, a veteran chess journalist who has covered every World Championship since 1984. After discovering he had a colleague, he laughed quite hard. He explained that in his previous article for the "Correio Brasiliense" he had commented he was the only Brazilian here, and now he would have to correct this.
Carlsen - Karjakin (New York 2016, Game Five)

Magnus Carlsen gave the impression he felt he could do anything as he held the game's reins, but he was disabused of this as an oversight allowed Sergey Karjakin to create strong winning chances with the strike 42....d4!

As Sergey left to enjoy some quiet time in the player's hall where they can sit on a sofa, grab a snack, or sip some coffee, Magnus was seen shifting in his chair quite a lot looking anxious.

The fans followed the action with huge interest, milling around tables sitting on the floor near a display even

Tim Hanks (lef), from the US Chess Federation asked Hungarian GM Denes Boros to explain some of the finer points of the position. Denes is very generous with his time and happy to oblige.

IM Javier Ochoa could easily stay in the exclusive VIP area, but seems to prefer to join the main room when the action heats. He is then seen analyzing with others at a board in the Café.

NRK, the Norwegian TV network, also does the rounds asking for opinions by anyone in the Café area
Magnus Carlsen - Sergey Karjakin (New York 2016, Game five)
Replay and check the LiveBook here |
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1.e4 e5 2.Nf3 Nc6 3.Bc4 Bc5 4.0-0 Nf6 5.d3 0-0 6.a4 d6 7.c3 a6 8.b4 Ba7 9.Re1 Ne7 10.Nbd2 Ng6 11.d4 c6 12.h3 exd4 13.cxd4 Nxe4 14.Bxf7+ Rxf7 15.Nxe4 d5 16.Nc5 h6 17.Ra3 Bf5 18.Ne5 Nxe5 19.dxe5 Qh4 20.Rf3 Bxc5 21.bxc5 Re8 22.Rf4 Qe7 23.Qd4 Ref8 24.Rf3 Be4 25.Rxf7 Qxf7 26.f3 Bf5 27.Kh2 Be6 28.Re2 Qg6 29.Be3 Rf7 30.Rf2 Qb1 31.Rb2 Qf5 32.a5 Kf8 33.Qc3 Ke8 34.Rb4 g5 35.Rb2 Kd8 36.Rf2 Kc8 37.Qd4 Qg6 38.g4 h5 39.Qd2 Rg7 40.Kg3 Rg8 41.Kg2 hxg4 42.hxg4 d4 43.Qxd4 Bd5 44.e6 Qxe6 45.Kg3 Qe7 46.Rh2 Qf7 47.f4 gxf4+ 48.Qxf4 Qe7 49.Rh5 Rf8 50.Rh7 Rxf4 51.Rxe7 Re4 ½–½
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Carlsen,M | 2853 | Karjakin,S | 2772 | ½–½ | 2016 | C50 | AGON FWCM 2016 | 5 |
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During the press conference, FIDE press officer WGM Anastasiya Karlovich conducted the interview as usual, when she was suddenly given a lashing by Magnus Carlsen, still very upset over the game.

Although he did fail to deliver the coup de grâce, Karjakin was in great spirits. Magnus needs no guessing.
The match is still drawn with five draws each, but it has been anything but dull as the games have led to thrilling bouts.
Current standings

Masterworks
A couple of hours before the start of the day's game, a book launch was held in the venue for "Masterworks", a new coffeetable book on wonderful chess sets.

Masterworks is a book by Dylan Loeb McClain who put together this fantastic volume on chess sets of all kinds

Dylan McClain, the editor and co-author of the book, was the chess columnist for the New York Times. He is now the content manager for the WorldChess site.

Among the many wondrous sets is this unique Japanese design. The cubes that represent the pieces only tell part of the story. These pieces are actualllly distinguished by perfume. Thus to know which piece is what, one need to smell the pieces.

The author explained that his absolute favorite set was the 'Holy Roman Emperor vs the Pope'. Each set comes with a tale to explain not only the bare physical attributes, such as material or dates, but the idea behind he board and its history.
Here is a small excerpt to illustrate the type of story found within:
"In the late 13th century and early 14th century, an Italian monk name Jacobus de Cessolis gave sermons on the subject of morals and ethics, using chess as a metaphor to explain social pluralism. (...)
Cessolis's idea influenced the design of chess set (and in some case, chess rules) and some sets were made in which each piece was given individual attention and aesthetic variation. Perhaps the most magnificent set ever made that reflects Cessolis's influence is the one shown here: Holy Roman Emperor versus the Pope."

In this case each of the pawns came in a unique design, but respecting a form (size) factor to identify them as pawns. Each pawn in this set represented a different craftsman.
It needs to be said that the book is both large and luxurious. It is a beautifully done work with hundreds upon hundreds of sets. The photos are all top notch with very high quality setups for the images. The paper itself is also very high quality and the general impression is of a highly desirable book for one's library or coffeetable. Any random perusing will yield a beautiful set with great photos and a story behind it. The price is a very low US$47.50, which seems extremely inexpensive in view of the sheer quality of the volume.