A glimpse into the past: the story of a picture

by Johannes Fischer
4/12/2021 – On his Twitter account, Scottish chess fan Douglas Griffin regularly publishes historical photos of famous chess players. Photographs that awaken memories and keep them alive, pictures that allow views into the past. On 28 May 2019, Griffin published a photo that shows Max Blümich and Alexander Alekhine playing against each other in the 1941/1942 Krakow/Warsaw tournament. A picture that raises questions: How did the game go, who won, who was Max Blümich and who else is in the photo? | Photo: audiovis.nac.gov.pl

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The game

As the ChessBase Mega Database reveals, Blümich and Alekhine played each other in the eleventh and final round of the 1941 Krakow/Warsaw tournament. Alekhine won a nice attacking game with Black, in which he resorted to a variation of the Caro-Kann Defence, which recently has become popular again.

 
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MoveNResultEloPlayers
1.e41,166,62354%2421---
1.d4947,29855%2434---
1.Nf3281,60256%2441---
1.c4182,10256%2442---
1.g319,70256%2427---
1.b314,26554%2427---
1.f45,89748%2377---
1.Nc33,80151%2384---
1.b41,75648%2380---
1.a31,20654%2404---
1.e31,06848%2408---
1.d395450%2378---
1.g466446%2360---
1.h444653%2374---
1.c343351%2426---
1.h328056%2418---
1.a411060%2466---
1.f39246%2436---
1.Nh38966%2508---
1.Na34262%2482---
1.e4 c6 2.d4 d5 3.Nc3 dxe4 4.Nxe4 Nf6 5.Nxf6+ exf6 6.Bc4 Bd6 7.Qe2+ Be7 8.Nf3 Bg4 9.c3 Nd7 10.0-0 Nb6 11.Bb3 0-0 12.Re1 Bd6 13.Bc2 Bh5 14.Qd3?! White should have developed and should have tried to bring the bishop on c1 into the game, e.g. with 14.b3, followed by Bb2 and c4. After the queen move Black seizes the initiative. Bg6 15.Qd1 Bc7 16.Bxg6 hxg6 17.Nd2 f5 18.Nf1 Qh4 19.Qf3 Rfe8 20.g3?! Qh3 21.Bf4 Bxf4 22.Qxf4 Nd5 23.Qf3 Nf6 24.Re3 Rxe3 25.Nxe3 Re8 26.Rd1 Ne4 27.Rd3 Ng5 28.Qg2 Qh5! 29.Kf1 White is in trouble, e.g. 29.h4 Qe2! 30.Qf1 Nf3+ 31.Kh1 Rxe3 32.Qxe2 Rxe2 33.Rxf3 Rxb2-+ 29...Nf3 30.h3 f4! An inspired attacking move that allows Black's queen to switch to the queenside. 31.gxf4 Qb5! 32.c4 After 32.Ke2 Black wins with Qxd3+! 33.Kxd3 Ne1+ 32...Qxc4 33.Qxf3 Qxd3+ 34.Kg2 Qxd4 35.f5 gxf5 0–1
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WhiteEloWBlackEloBResYearECOEventRnd
Bluemich,M-Alekhine,A-0–11941B15Krakow/Warsaw11

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With this win Alekhine also won the tournament though he had to share first place with Paul Felix Schmidt. Both scored 8.5/11 and were one point ahead of Efim Bogoljubow and one and a half points ahead of Klaus Junge.

Krakow/Warsaw 1941, final standings after 11 rounds

Rk. Name 1 2 3 4 5 6 7 8 9 10 11 12 Pts.
1 Paul Felix Schmidt   0 1 ½ 1 1 1 0 1 1 1 1 8.5
2 Alexander Alekhine 1   1 ½ ½ 1 ½ 1 1 ½ ½ 1 8.5
3 Efim Bogoljubow 0 0   ½ ½ 1 1 ½ 1 1 1 1 7.5
4 Klaus Junge ½ ½ ½   ½ 1 ½ ½ 1 ½ ½ 1 7.0
5 Josef Lokvenc 0 ½ ½ ½   0 ½ ½ ½ ½ 1 1 5.5
6 Teodor Regedzinski 0 0 0 0 1   1 0 0 1 1 1 5.0
7 Eduard Hahn 0 ½ 0 ½ ½ 0   ½ 1 1 ½ 0 4.5
8 Georg Kieninger 1 0 ½ ½ ½ 1 ½   0 ½ 0 0 4.5
9 Max Bluemich 0 0 0 0 ½ 1 0 1   ½ 1 ½ 4.5
10 Carl Johan Margot Carls 0 ½ 0 ½ ½ 0 0 ½ ½   1 0 3.5
11 Heinz Nowarra 0 ½ 0 ½ 0 0 ½ 1 0 0   1 3.5
12 Paul Mross 0 0 0 0 0 0 1 1 ½ 1 0   3.5

As the table shows, Alekhine did not suffer a single loss, whereas Schmidt lost two games: one against Georg Kieninger and one against Alekhine. The two later tournament winners, Schmidt and Alekhine, met each other in the fourth round and in this game Schmidt had what he later described as his most "unforgettable chess experience". According to Schmidt, Alekhine in this game "moved a rook and just took the move back". (See Eva Regina Magacs, Michael Negele, Paul Felix Schmidt: A Winning Formula, Exzelsior Verlag, Edition Randstein 2017, p. 106).

What happened?

 
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MoveNResultEloPlayers
1.e41,166,62354%2421---
1.d4947,29855%2434---
1.Nf3281,60256%2441---
1.c4182,10256%2442---
1.g319,70256%2427---
1.b314,26554%2427---
1.f45,89748%2377---
1.Nc33,80151%2384---
1.b41,75648%2380---
1.a31,20654%2404---
1.e31,06848%2408---
1.d395450%2378---
1.g466446%2360---
1.h444653%2374---
1.c343351%2426---
1.h328056%2418---
1.a411060%2466---
1.f39246%2436---
1.Nh38966%2508---
1.Na34262%2482---
1.e4 c5 2.Nf3 d6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 g6 6.Be2 Bg7 7.0-0 Nc6 8.Nb3 0-0 9.Bg5 Be6 10.f4 b5 11.Bf3 Rc8 12.Nd5 Bxd5 13.exd5 Na5 14.Qe2 Rc4 15.f5 gxf5 16.Nxa5 Qxa5 17.Qxe7 Ne4 18.Bxe4 Qb6+ 19.Kh1 Rc7 20.Qxf8+ Kxf8 21.Bxf5 h6 22.Bd8 Bxb2 23.Rab1 Be5 24.Be6 f6 25.c4 Qb8 26.Bxc7 Qxc7 27.Rxb5 Qxc4 28.Rfb1 Kg7 29.R5b4 Qa6 30.Rg4+ After an interesting and entertaining tactical game Alekhine reached a winning position, and could have mated rather quickly. However, the end of the game is rather erratic. Kh8 Nach 30...Kf8 White mates with 31.Rb8+ Qc8 32.Rxc8+ Ke7 33.Rg7# 31.Rc1?? Incredible. Alekhine misses a rather simple mate in two. 31.Rb8+ Kh7 32.Bf5# would have ended the game immediately. Alekhine himself later commented the game and his annotations were published posthumously (Alekhine died 24 March 1946) in the chess magazine CHESS of April 1947. In his comments Alekhine tried to provide an explanation for the missed mate and other oddities of the game. Here he writes: "The fact that I did not execute this mate, which I had clearly seen during the calculation, is one of the most curious things that has happened to me at the chess board. If I had been told about this case, but involving another master, I simply would not have believed it. Perhaps I was impressed, unconsciously, by the calmness and self-confidence with which my opponent executed his last two moves. In any case, the win is seriously endangered, if not totally demolished, by the absurd text move." (Quoted in Negele/Magacs, "Paul Felix Schmidt", p. 298-299) 31...h5 32.Rg6 Probably it was here that the incident occurred which Schmidt later called his most "unforgettable chess experince". According to Schmidt Alekhine here touched his rook to move it to c8. But when Alekhine saw that Black after 32.Rc8+ might save himself with Qxc8 33.Bxc8 hxg4 which leads to a drawish endgame with opposite-coloured bishops, he put the rook back to c1, said "J'adoube" and played the text move 32.Rg6. 32...Bb2 33.Rg1 Qd3? In time trouble Black misses a chance to save himself. After 33...Qxa2 or 33...Bd4 the engines see only a slight advantage for White. But after 33...Qd3 Black loses the h-pawn and the game. 34.Rh6+ Kg7 35.Rxh5 Bd4 36.Bf5 Qe2 37.Rh7+ Kg8 38.Rc1 Bc5 39.Rb7 Qxa2 40.Re1 Kf8 41.Bg6 1–0
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WhiteEloWBlackEloBResYearECOEventRnd
Alekhine,A-Schmidt,P-1–01941B70Krakow/Warsaw4

Alekhine shared his version of the events in this game with Francesco Lupi, who then retold Alekhine's tales to the chess public in the British magazine CHESS. Alekhine probably overlooked the simple mate after 31.Rb8+ because he had drunk too much cognac during the game. In his account of the incident Alekhine more or less openly admits that he was drunk during the game, but he provides a different explanation for the "J'adoube" on move 32.

I hadn't tasted ...coffee... for long enough, but the Governor of Poland made the tournament players a present of several bottles. Well, my game against Schmidt was a bit involved but I had it all worked out satisfactorily and I began to think less and less about the game and more and more about the coffee I drank, and yet I got nearer and nearer to a win. Finally I returned to the board, somewhat confused perhaps by the effects of the 'coffee' and assuming that Schmidt had made the one move which would avert mate in two, I made to seize a rook and make my reply. But then I perceived that Schmidt had not seen the danger and had left the mate on. I cried at once "J'adoube". Immediate pandemonium! Everybody seemed to be arguing at once. I offered Schmidt the choice of a draw or making me move with the rook in question. Post, the tournament director, retired with the committee to consider the case.

Whilst they were still in conference, I saw one of the other players rise and speak mysteriously in Schmidt's ear, waving his hands about whilst the latter nodded wisely. Schmidt went out and, I think, spoke to Post. Anyway, they all returned together and Schmidt said he refused the draw and would like to play on, I to move the rook. Having still the better game, I worked up a nice finish and with a most dolorous face, Schmidt resigned about an hour later. Only afterwards did I hear why he refused the draw. His advisor had said to him, "Don't be a fool! Go for the full point! Can't you see he's so completely drunk that he couldn't see a mate in one, let alone in two!" (CHESS, April 1947, p. 205, quoted in Negele/Magacs, Paul Felix Schmidt, p. 294-295)

But anyone who looks at the game, quickly realises that this version of events cannot be correct. After all, Alekhine's "J'adoube" came on move 32, when he had touched the rook on c1 in order to move it to c8. According to Alekhine's version, "[he] had to move the rook", but in the game Alekhine did not make a move with the rook on c1, but a move with his rook on g4, which had just been attacked by Black's h-pawn.

If Alekhine had been forced to make a move with the rook on c1, then the sequence 32.Rc8+ Qxc8 33.Bxc8 hxg4 with a transition to an endgame with opposite-coloured bishops would have been forced, because after all other moves of the rook on c1 Black simply takes the rook on g4 and wins. That's why there was no reason for Schmidt to decline a draw offer, because no matter how drunk Alekhine might have been, he would always have held the endgame with opposite-coloured bishops.

Alekhine, however, admits to touching the rook on c1 and saying "J'adoube". But presumably the tournament director Ehrhardt Post refrained from forcing Alekhine to move the rook c1 – either because Post had too much respect for the World Champion to punish his unsportsmanlike conduct, or because he had come to the conclusion that this dubious "J'adoube" was still within the realm of the permissible.

But with his version of the story, Alekhine glosses over his unsportsmanlike breach of the rules and turns the tables: in Alekhine's story it is Schmidt who did not want a draw and was unsportsmanlike enough to want to win a game he should have lost because he thought Alekhine was drunk – for which Schmidt is then punished.

But let's return to the picture and take a look at Alekhine's opponent. That was Reinhold Max Blümich, an interesting figure in German chess history.

Max Blümich at the beginning of the 1920s | Photo: Funkschach-Jahrbuch 1926, p. 20 | Source: Michael Negele: Reinhold Max Blümich

Blümich was born on 3 November 1886 in Leipzig, where he later worked as a senior postal clerk. Blümich was an amateur but was one of the best German players of the time: he became Leipzig City Champion nine times, Saxon Champion ten times and in 1923 he won the main tournament of the German Chess Federation in Frankfurt am Main. In addition, Blümich did a lot for German chess as an official and editor, but unfortunately not always good things.

As an official Blümich headed the Saxon Chess Federation for many years and in 1932 he became the main editor of the Deutsche Schachzeitung. But for all his services to chess, Blümich is remembered above all as the person who censored the legendary Kleines Lehrbuch des Schachs (The Little Manual of Chess) by Jean Dufresne and Jacques Mieses and made it "free of Jews". When he edited the editions of 1941 and 1943 Blümich removed the names of all Jewish chess players from the famous textbook. Names of players like Lasker, Tarrasch or Mieses, after all co-author of the book, were to be erased from chess history and memory.

In 2015, the German chess historian Michael Negele published an article about Blümich on the website of the German Chess Federation, in which he also deals with Blümich's editing of the textbook and Blümich's relationship to the National Socialists. As Negele discovered, Jacques Mieses of all people, who as co-author of the textbook was directly affected by Blümich's deletions and as a Jew had to flee to England to escape the Nazis, found sympathetic words for Blümich. Mieses had lived in Leipzig for a long time before his flight from the Nazis, and he knew Blümich:

The deletion of all Jewish names in the 15th and 16th editions of the "Lehrbuch" could by no means be avoided by Blümich, who was close to me as a friend, and to refuse to take on the new edition at all would for obvious reasons have been problematic for him, who was a senior postal official. He would also have embarrassed the very liberal publisher.

Apparently, the game Blümich played against Alekhine in the last round of the tournament in Warsaw/Krakow, seems to have been one of the last tournament games Blümich played at all. He died about three months after the tournament in Krakow/Warsaw. In the obituary of the Deutsche Schachzeitung of March 1942, quoted by Negele, it says: "Our main editor of many years, R. Max Blümich, deeply shaken by the death of his only, highly gifted son, who fell in the East some time ago, succumbed to a heart attack on 23 February 1942 on his way back from his daughter's engagement party."

But if you take a closer look at the position in the photo and compare it with the game quoted above, you quickly realise that the position in the photo was never on the board in the game. So the photo was probably taken after the game during the post-mortem. But to know who won and who lost, you do not need to know the actual game: the body language and the looks of Blümich and Alekhine are telling enough.

Blümich and Alekhine can be seen in the foreground of the picture, and in the background of the picture one recognises Efim Boguljubov on the right. But who is Boguljubov's opponent? That, too, can be found out with the help of the Mega Database. It was Eduard Hahn, a strong German player and winner of the Bavarian Championships in 1931. He was born in 1911 and died in 1996. In Warsaw/Krakow, Hahn finished in 7th to 9th place with 4.5/11. Hahn lost the game against Bogoljubov, and with this victory Bogoljubov secured third place in the tournament. The notation of this game, however, has been lost.

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Johannes Fischer was born in 1963 in Hamburg and studied English and German literature in Frankfurt. He now lives as a writer and translator in Nürnberg. He is a FIDE-Master and regularly writes for KARL, a German chess magazine focusing on the links between culture and chess. On his own blog he regularly publishes notes on "Film, Literature and Chess".

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malfa malfa 4/13/2021 01:38
@ hfarinas,

definitely a player like Alekhine would have never played such nonsense, even if drunk! Besides, his opponent himself should be credited as strong enough to play 24.Rxe1 instead of your 24.Qxf4.
malfa malfa 4/13/2021 01:31
@nimzobob,

one possibility could be the following: on 24.Qf4 (silently proposing the draw instead of 24.Re3 as in the game) Black might have planned Qh5 aiming at the invasion square on e2; White could ignore this positional threat by replying with 25.Kg2, with the ideas of stopping Qh3 for good and of defending against 25...Re2 by means of the tactical retort 26.g4!?, but then 26...Rxe1! 27.gxh5 Nxh5 reaches the position in the photo, where Black is about to gain rooks and pawn for the queen. I should add that after 28.Qc7 Rxa1 29.Qxb7 things would not be entirely clear, so the given position might definitely have been an interesting matter to discuss in the post mortem analysis ;-)
hfarinas hfarinas 4/13/2021 12:24
This is a possibility: 20…Rxe1 21.gxh4 Nd5 22.Kg2 Kf6 23.Bf4 Bxf4 24.Qxf4 Nh5
nimzobob nimzobob 4/12/2021 09:46
That's because they are analysing after the game. What variation I wonder.
hfarinas hfarinas 4/12/2021 07:33
The position of the pieces in the photo does not agree with the transcript of the game.
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