Viktor Kortchnoi: My Life for Chess
By Frederic Friedel
Viktor Kortchnoi is doubtlessly one of the most electrifying personalities
in the world of chess. At 73 the former double world championship finalist
is still playing successful and attractive chess, teaching the young Turks
lesson after lesson in tournament after world-class tournament. He has a career
that spans so many decades and is filled with so many encounters that one can
scarcely believe it has all happened in the lifetime of a single person.
Kortchnoi is not just famous for brilliancy in chess, he is also well-known
for his candidly expressed opinions, his no-nonsense language and his volatile
temperament. He is a volcano not just ready to go off, he is one that regularly
erupts and spews molten lava over the countryside. There is hardly a chessplayer
who hasn’t been burnt.
On the other hand Viktor loves chess. You can see it in every statement he
makes, the way he moves around a tournament hall, the time he spends there
even after his own game is over. And he can be lavish in his praise of an opponent
who has done well, who has impressed him with a deep strategic game or a tactical
brilliance. Players come out of postmortems flushed or devastated, depending
on how Viktor Kortchnoi evaluates their game.
The way we were: the author with Viktor Kortchnoi, about twenty years
ago
When we decided to make a series of DVDs with Kortchnoi I must confess that
I was a bit nervous. Even in normal conversation Viktor Lvovich, whom I have
known for over two decades now, is always very intense. No small talk, any
question or remark can elicit a profound, witty, or caustic response. Since
he is doing that in a foreign language, and since he is never willing to compromise
his high standard of erudition, the conversation is sometimes ponderous. You
have to wait for many seconds while he thinks. He will pause in mid-sentence
and search for a word. He will go back and correct the previous sentence when
a better expression has occurred to him.
How would this play out in a video recording, where the speaker is expected
to be fluid and eloquent? It was with some trepidation that I took a seat behind
the camera in our December recording session in the Hamburg “Studio ChessBase”
(where Garry Kasparov and others have made a series of wonderful training CDs).
Viktor had spent half an hour receiving technical instructions, we had given
him IM Oliver Reeh, just out of the picture, to help with the computer operation
when he needed it, and he had briefly flipped through his new autobiography
“Mein Leben für das Schach” (My Life for Chess, Olms Verlag,
2004). Light, camera, and action!
Viktor Kortchnoi in "Studio ChessBase" in Hamburg
It was unlike anything I had expected. Viktor Lvovich was completely at ease,
spoke powerfully, interspacing profundity with humorous moments, objective
chess analysis with scintillating historical narrative. The pauses were there,
the struggle for the mot juste. But he used it to dramatic effect. You can
feel the intensity, the uncompromising need to say exactly what he is thinking.
All of this was not without preparation. Between takes Viktor would wander
around the office, consulting books or the chess database, planning an anecdote
and getting the dates right, or search for the chess highlight to zoom in on.
Each game starts with a little story, an anecdote, putting it into perspective,
before the actual moves are replayed on the chessboard, with commentary, analysis,
evaluations. During the introduction the great man looks you directly in the
eyes, speaks with an intensity that drained three camera operators in the four
days we spent recording with him.
Preparing for a video recording with IM Oliver Reeh
But instead of eulogising endlessly, let me give you a couple of impressions,
literal transcriptions, which of course fail to convey the verbal and facial
eloquence, the sly grins and wide-eyed stares. But it will give you a rough
idea. We start with the randomly selected recording seven.
1967. In that year the Soviet state celebrated fifty years of, more
or less, its existence. It was the fifty year’s anniversary of the
so-called October Socialist Revolution. In order to commemorate this day
they organised two big international tournaments – one in Moscow, one
in Leningrad. Well, there were even rumours that Bobby Fischer was ready,
was eager to take part in one of these tournaments, without any extra fee.
Just to play. There were rumours. But the Soviet authorities thought it over
and decided not to allow him to come to the Soviet Union. “What the
hell would happen if an American citizen would win the tournament commemorated
to the fiftieth anniversary of the Soviet state?” No, sorry, so the
tournaments were played, the stronger one, in Moscow, was won by Leonid Stein,
and the weaker one in Leningrad was won by me, in a fight with Grandmaster
Kholmov, who was second. So I won several interesting games, and I am going
to show you one of them.
[Kortchnoi starts to replay his white game against Mijo Udovcic, which
begins 1.d4 e6 2.e4]
Well, some time ago the then world champion Mikhail Botvinnik said
that a young player had to arrange his opening repertoire in a way that he
would never have to play against himself. What does it mean? It means that
if I play the Grunfeld with black against d4 and the French Defence against
e4, I should not play against the French myself. Somehow I had to avoid openings
which I play myself. But I got tired of playing closed openings and decided
to take the challenge. The guy wanted to play the French against me, I take
it! But if possible I would avoid the most modern lines.
- Click to replay a short excerpt for dial-up
or broadband
Note that these clips have been highly compressed. The original is in much
higher quality
His Life for Chess on DVD – Viktor Kortchnoi narrates and annotates
games
Another example? Before one session, I found Viktor Lvovich struggling to
find a player called Lowenfish in the Mega Database. After some moments we
discovered he was spelled Levenfish. Viktor expertly created a “players
dossier”, and I asked him whether he would be showing us a game against
Levenfish. “No,” he said, “I just need his exact date of
birth.” Mysterious. After this we recorded session number 16, which starts
with the following introduction:
I have played chess for more than fifty years. Some of my first opponents
were born in the 19th century. For instance in 1953 I played against Grandmaster
Levenfish, who was born in 1889 [aha!]. He won one of the games and was very
proud. He wrote: “Such a great tactician as Kortchnoi overlooked my
very nice combination.” Yes, it was a nice game. Well, okay, I played
against Levenfish. Now in about one week I am going to Oslo where I will
face Magnus Carlsen, who was born one hundred and one years after Levenfish,
in the year 1990. Such a range – I believe I have played against people
of six generations!
In the year 1976, after the tournament in Hastings, I gave a simultaneous
display in London where I played against a selected team of juniors. Thirty
boards. It was not easy. I played for seven hours and fifteen minutes. I
won seventeen games, I drew twelve, and I lost only one, to a small boy,
whose name was Nigel Short. That was 1976. And now I am going to show you
a game from 1990, where I play against a future challenger for the world
championship, a future contender in the match against Garry Kasparov. This
is the game. [Shows us the game Kortschnoj vs Short, Rotterdam 1990,
1-0 in 40 moves].
- Click to replay a short excerpt for dial-up
or broadband
Note that these clips have been highly compressed. The original is in much
higher quality
The young lad whom Kortchnoi faced in the simultaneous exhibition in
1976
Well, that is what you get with the new DVDs of Viktor Kortchnoi “My
Life for Chess”, volumes one and two. These videos are replayed using
ChessBase 9, Fritz 8 or any compatible chess program (Junior, Shredder), or
with the ChessBase Reader that is provided on the DVD. The actual video recordings
contain invisible instructions that tell the above programs what the speaker
was doing during the recording: which moves he was replaying or entering, which
arrows were drawn or squares marked. The instructions are executed synchronous
with the video playback. You can see that the speaker is moving a piece, while
it moves on the chessboard. A perfect way to present chess.
Viktor Kortchnoi and wife Petra at the ChessBase Christmas dinner
The videos, might I add, are of very high quality, taken with studio lights,
a professional video camera and high quality microphones for the sound recording.
In volume one Kortchnoi presents eight of his most interesting games from
the years 1949-1979. Among them games against Smyslov, Geller, Tal, Hübner
and Karpov. The highlight is certainly an encounter with Karpov during the
match for the world championship in Baguio 1978. All in all, “My Life
for Chess Vol. 1” offers more than three hours of first-class chess training,
plus an extensive interview.
Volume 2 features about four hours of “Kortchnoi unplugged”.
The chess legend portraits the second part of his eventful career, presenting
among other things his games against Kasparov (1986), Spassky (1989) and Short
(1990), all in the same gripping style. Embedded in the game commentaries are
many details of Kortchnoi’s biography. For instance, before commenting
his game against Spassky, the veteran speaks extensively about his personal
relationship towards the ex-world champion. Throughout these lectures you can
feel his ever-enduring love for chess. Whenever he gets to the heart of an
opening (King’s Indian, English and French) or shows an astonishing move,
you can see the joy sparkling from his eyes. No wonder – hardly any other
chess genius has lived a chess life as intensively as “Viktor the Terrible”.
